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THE COURSE | LECTURES & VISITS | MULTIMEDIA | NEWS & EVENTS | STUDENT VIEW | ALUMNI | INFO | |
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  The Course Register  Record of Past Programmes
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The first Course, in 1965, was called The Contemporary Europe Pre-University Course, and its content was predominantly topics of contemporary interest- political theory, economics, sociology, psychology, urban planning, etc. Few people did art history at school at that time. Due to the inspiring lectures on Venetian Art by Professor Pignatti, Vice Director of the Civic Museums, art history became popular with our students and gradually, together with Music and World Cinema, became the core of the Course. In 2010 we are returning to our original involvement with contemporary affairs by including a set of lectures on global environmental and political issues- without reducing our principal focus on the European cultural tradition. In the first years of The Course we were guests of the Fondazione Giorgio Cini on the island of S.Giorgio Maggiore (picture above). Later, for 19 years, our lecture centre was in the Arsenale (picture above), guests of the Societa Dante Alighieri.
1965 Accommodation: Lecturers and Syllabus Stephen Medcalf B.Lit., M.A. (Oxon) Lecturer in English Literature and the History of Ideas, Schools of English and American Studies and School of European Studies, University of Sussex Michael Moran Lecturer in Philosophy, School of European Studies, University of Sussex John Wilson M.A. (Oxon) Lecturer in Philosophy, School of European Studies, University of Sussex Edmund Ions Lecturer in Sociology, University of York Thought, science and imagination, society in Modern Europe Thought Science and Imagination Society The Arts Cinema Venetian Art Film Making Theatre production by students in Teatro Ca'Foscari
1966 Accommodation: Lectures: Museo Correr or Giorgio Cini Foundation, Island of San Giorgio Maggiore. Lecturers and Syllabus Noel Channon BBC TV Editor Ronald Harris M.A. Master of Studies and Head of the History Department, The King's School, Canterbury Malcolm Kitch Lecturer in History, School of European Studies, University of Sussex Stephen Medcalf Lecturer, University of Sussex Michael Moran Lecturer in Philosophy, School of European Studies, University of Sussex Professor Michelangelo Muraro Soprintendenza alle gallerie ed alle Opere D'Arte, Venice Flavia Paulon Mostra Internationale D'Arte Cinematografica Della Biennale Di Venezia Daniel Snowman Lecturer in Sociology, School of European and American Studies, University of Sussex
1967 Accommodation: Lectures: Museo Correr Lecturers and Syllabus Jennifer Fletcher B.A. Lecturer in the History of Art, Courtauld Institute and Reading University John Hale M.A. Professor of History, University of Warwick Renaissance Religion Economic life in the Renaissance Individualism Humanism Ronald Harris M.A. Head of the History Department, the King's School, Canterbury Peter Oppenheimer M.A. Lecturer in Economics, Christ Church, Oxford Professor Dott. Terisio Pignatti Vice-Director of the Civic Museums of Venice Timothy Shallice Ph.D. Lecturer in Psychology, University College, London Barry Sugarman Ph.D. Research Fellow in Sociology at the Farmington Trust Research Unit, Oxford Italian language tuition is provided by graduates of the University Institute, Venice.
1968 Accommodation: Lecturers and Syllabus Laurence Chase B.A. Lecturer in Philosophy, University of Kent, Canterbury Paul Ginsborg B.A. Research Fellow in Risorgimento History, Queens College, Cambridge John Guthrie Lecturer in English, the University Institute of Language and Letters, Venice John Hale M.A. Professor of History, University of Warwick Ronald Harris M.A. Head of the History Department, the King's School, Canterbury Peter Oppenheimer M.A. Lecturer in Economics, Christ Church, Oxford Professor Dott. Terisio Pignatti Vice-Director of the Civic Museums of Venice. Norman Williams M.Ed. Research Fellow in Psychology, Farmington Trust, Oxford Theatre Production Director John Hall Teatro Ca' Foscari. Ionesco The Bald Prima Donna; Pinter: The Lover (with Carmen du Sautoy).
1969 Accommodation: Lectures: Georgio Cini Foundation, Museo Correr or Galleria Barozzi Lecturers and Syllabus Stephen Bann Ph.D. Lecturer in History, University of Kent, Canterbury John Barber B.A. Research Fellow, Jesus College, Cambridge James Doran B.A. Junior Research Fellow, Dept. of Machine Intelligence and Perception, Edinburgh University Paul Ginsborg B.A. Research Fellow, Queens College, Cambridge John Guthrie Lecturer in English, the University Institute of Language and Letters, Venice Frank Hauser Director, Oxford Playhouse Professor Dott. Terisio Pignatti Vice-Director of the Civic Museums of Venice, Professor of History of Art, University of Padua Julie Rountree M.A. Oxford University Lecturer in Philosophy, Fellow of St. Hugh's College, Oxford Stella Rudolph B.A., Laurea, Personal Assistant to the Director of the Uffizi Gallery Nicholas Ward-Jackson B.A. (Courtauld) Scholar in Medieval and Later Italian Studies, the British School at Rome (lectures in Rome).
1970 Accommodation: Lectures: Georgio Cini Foundation, Museo Correr , Galleria Barozzi Lecturers and Syllabus Stephen Bann Ph.D. Lecturer in History, University of Kent, Canterbury John Barber B.A. Research Fellow, Jesus College, Cambridge With Paul Ginsborg, four seminars on: Paul Ginsborg B.A. Research Fellow, Queens College, Cambridge Richard Gutch B.A. Postgraduate Student in Town planning, University College, London John Guthrie Lecturer in English, the University Institute of Language and Letters, Venice Michael Healey Doctor Bernard Hickey M.A. Lecturer in English, the University Institute of Language and Letters, Venice John Law M.A. Research Student, Merton College, Oxford Professor Dott. Terisio Pignatti Vice-Director of the Civic Museums of Venice, Professor of History of Art, University of Padua Stella Rudolph B.A., Laurea, Personal Assistant to the Director of the Uffizi Gallery David Thomason M.A., M.Phil. (Warburg Institute) Lecturer, Camberwell School of Art Norman Williams Research Fellow in Psychology, Farmington Trust, Oxford
1971 Accommodation: Lectures: Georgio Cini Foundation, Museo Correr , Galleria Barozzi Lecturers and Syllabus Maeve Denby B.A. Labour Parliamentary Candidate for South Oxfordshire Richard Gutch B.A., M.Phil. (Town Planning) John Guthrie Lecturer in English, the University Institute of Language and Letters, Venice Michael Healey Doctor Bernard Hickey M.A. Lecturer in English, the University Institute of Language and Letters, Venice Stella Rudolph B.A., Laurea, Personal Assistant to the Director of the Uffizi Gallery PhilipTabor M.A. ARIBA Postgraduate Research Student at the Centre for Land Use and Builtform Studies, Cambridge Norman Williams B.A., M.Ed., Research Fellow in Psychology, Farmington Trust, Oxford
1972 Accommodation: Lectures: Georgio Cini Foundation, Museo Correr, Pensione Lecture Room Lecturers and Syllabus Maeve Denby B.A. Parliamentary Labour Candidate, Lecturer-Editor in Sociology, the Open University Doctor Bernard Hickey M.A. Lecturer in English, the University Institute of Language and Letters, Venice Charles Hope M.A. (Courtauld Institute), Research Lecturer, Christ Church, Oxford Deborah Howard M.A. (Courtauld Institute) Peter Lauritzen B.A. Professor Dott. Terisio Pignatti Vice-Director of the Civic Museums of Venice, Professor of History of Art, University of Padua Stella Rudolph B.A., Laurea, Personal Assistant to the Director of the Uffizi Gallery Peter Russell Poet The Reverend Victor Stanley Chaplain to the English Church in Venice Norman Williams B.A., M.Ed., Senior Lecturer in Psychology, Oxford Polytechnic Theatre. In Palazzo Priuli: Two Gentlemen of Verona.
1973 Accommodation: Lectures: Georgio Cini Foundation, Museo Correr, Pensione Lecture Room Lecturers and Syllabus Michael Healey Doctor Bernard Hickey M.A. Lecturer in English, the University Institute of Language and Letters, Venice Charles Hope M.A. Junior Research Fellow, King's College, Cambridge Peter Lauritzen B.A. Nicola Le Fanu B.A. Composer Robert McHenry B.A., D.Phil. Tutor in Social Psychology, Oxford University Professor Dott. Terisio Pignatti Vice-Director of the Civic Museums of Venice, Professor of History of Art, University of Padua Stella Rudolph B.A., Laurea, Lecturer in Art History, University of California Florence Program Peter Russell Poet The Reverend Victor Stanley Chaplain to the English Church in Venice Visits in Florence
1974 Accommodation: Lectures: Museo Correr or Pensione Lecture Room Lecturers and Syllabus Denis Arnold M.A., B.Mus., Hon. R.A.M., A.R.C.M., Professor of Music, Nottingham University Alun Davies M.A. Lecturer at Bedford College, University of London Dottor Mario Greco Lecturer in the Faculty of Economics and Commerce, University of Venice Michael Healey M.A. Producer, BBC Television, previously Assistant Director, Playhouse Theatre, Oxford Charles Hope M.A. Junior Research Fellow, King's College, Cambridge Geoffrey Humphrey & Ysbrandt van Wyngarten Peter Lauritzen B.A. Robert McHenry B.A., D.Phil. Tutor in Social Psychology, Oxford University Professor Dott. Terisio Pignatti Director of the Civic Museums of Venice, Professor of History of Art, University of Padua Stella Rudolph B.A., Laurea, Lecturer in Art History, University of California Florence Program The Reverend Victor Stanley Chaplain to the English Church in Venice Clive Wood M.Sc., D.Phil. Linacre College, Oxford
1975 Accommodation: Lectures: Museo Correr or Pensione Lecture Room Lecturers and Syllabus Richard Gutch B.A., M.Phil. Senior Planning Officer, South Yorkshire County Council Dottor Mario Greco Lecturer in Economics, University of Venice Michael Healey M.A. Producer, BBC Television, previously Assistant Director, Playhouse Theatre, Oxford Peter Lauritzen B.A. Nicola Le Fanu B.A. Composer Andrew Martindale M.A., F.S.A. Professor of the History of Art, University of East Anglia Marilyn Perry M.A., M.Phil. Venice. Professor Dott. Terisio Pignatti Director of the Civic Museums, Venice Stella Rudolph B.A., Laurea, Lecturer in Art History, University of California Florence Program Christina Thoresby
1976 Accommodation: Lectures: Museo Correr or Pensione Lecturers and Syllabus Sir Ashley Clarke Maeve Denby B.A. Research Director for Department of the Environment, Parliamentary Candidate 1970, 1974 Dottor Mario Greco Lecturer in Economics, University of Venice Doctor Bernard Hickey M.A. Professor of Commonwealth Literature, University of Venice Peter Lauritzen B.A. Else Mayer-Lismann Hon. R.C.M., Official Lecturer for the Glyndebourne Festival, Artistic Director of the Mayer-Lismann Opera Workshop Marilyn Perry M.A., M.Phil. Professor Dott. Terisio Pignatti Professor of the History of Art, Venice University Stella Rudolph B.A., Laurea, Lecturer in Art History, University of California Florence Program Nicholas True B.A. John Whitgift Research Student in History, Peterhouse, Cambridge Norman Williams B.A., M.Ed. Principal Lecturer in Psychology, Bulmershe College of Higher Education
1977 Accommodation: Lectures: Palazzo Fortuny, Museo Correr or Pensione Lecturers and Syllabus Sir Ashley Clarke John Cobb B.A., B.M.Ch., M.R.C.P., M.R.C. Psych. Institute of Psychiatry, London Doctor Bernard Hickey M.A. Professor of Commonwealth Literature, University of Venice Pat Keysell Director BBC Vision On Professor Andrew Martindale Professor of the History of Art, University of East Anglia Marilyn Perry M.A., M.Phil. Professor Dott. Terisio Pignatti Professor of the History of Art, Venice University Stella Rudolph B.A., Laurea, Lecturer in Art History, University of California Florence Program Phillip Rylands B.A. Christina Thoresby Nicholas True B.A. Sometime John Whitgift Research Student in History, Peterhouse, Cambridge
1978 Accommodation: Lectures: Palazzo Fortuny, Museo Correr or Pensione Lecturers and Syllabus Sir Ashley Clarke John Cobb B.A., B.M.Ch., M.R.C.P., M.R.C. Psych. Institute of Psychiatry, London Nicholas Goncharoff D.Phil., Director. YMCA International, New York Tom Hammond Music Consultant to the English National Opera, Professor at the Royal Academy of Music and the London Opera Centre Nick Hawtree Doctor Bernard Hickey M.A. Professor of Commonwealth Literature, University of Venice Elizabeth Mostyn-Owen B.A. Andrew Martindale Professor of Art History, University of East Anglia. Charles McCorquodale M.A. Marilyn Perry M.A., D.Phil. Stella Rudolph B.A., Laurea, Lecturer in Art History, University of California Florence Program Christina Thoresby Nicholas True B.A. Sometime John Whitgift Research Student in History, Peterhouse, Cambridge Sandy Wilson Composer, writer of 'the Boy Friend'
1979 Accommodation: Lectures: Palazzo Fortuny, Museo Correr or Pensione Lecturers and Syllabus Dr. John Cobb M.R.C.P., M.R.C. Psch., B.A. (Oxon) Consultant at St. George's Hospital, Senior Lecturer, London University Nicholas Goncharoff D.Phil. Director, YMCA International, New York John Hale F.B.A. Historian, Professor of Italian, University College, London Tom Hammond Music Consultant to the English National Opera, Professor at the Royal Academy of Music and the London Opera Centre Doctor Bernard Hickey M.A. Professor of Commonwealth Literature, University of Venice Diana Kaley Charles McCorquodale M.A. Andrew Martindale Professor of Fine Arts, University of East Anglia Marilyn Perry M.A., D.Phil. Stella Rudolph B.A., Laurea, Lecturer in Art History, University of California Florence Program Nicholas True B.A. Sometime John Whitgift Research Student, Peterhouse, Cambridge
1980 Accommodation: Lectures: Palazzo Fortuny, Museo Correr, Georgio Cini Foundation or Dante Alighieri Society Lecturers and Syllabus Jeffrey Daniels M.A. Director, The Geffrye Museum John Hale F.B.A. Historian, Professor of Italian, University College, London Doctor Bernard Hickey M.A., Professor of Commonwealth Literature, University of Venice Pat Keysell B.B.C. Vision On Patrick Kinmonth B.A. Peter Lauritzen B.A. Professor Dott. Terisio Pignatti Professor of the History of Art, Venice University Roger Rawcliffe M.A. Stella Rudolph B.A., Laurea, Lecturer in Art History, University of California Florence Program Christina Thoresby Nicholas True B.A. Sometime Whitgift Research Student, Peterhouse, Cambridge
1981 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus Robin Griffith-Jones B.A. Christie's John Hale F.B.A. Historian, Professor of Italian, University College, London Doctor Bernard Hickey M.A. Professor of Commonwealth Literature, University of Venice Patrick Kinmouth B.A. Peter Lauritzen B.A. Christopher Lloyd M.Litt. Assistant Keeper, Ashmolean Museum Andrew Matthews Professor in Psychology, St. George's Hospital, London Rodney Milnes Associate Editor of Opera Magazine, Opera Critic The Spectator Peter Phillips Editor of EARLY MUSIC GAZETTE Professor Dott. Terisio Pignatti Professor of the History of Art, Venice University Stella Rudolph B.A., Laurea, Lecturer in Art History, University of California Florence Program Christina Thoresby Nicholas True B.A.
1982 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus The Right Reverend Dr. Felix Arnott former Archbishop of Brisbane, a member of the Anglican-Roman Catholic Committee, Chaplain of the English Church in Venice David Ekserdjian M.A. Jane Glover Lecturer in Music, St. Hugh's College, Oxford, Chorus Director, Glyndebourne Festival Opera John Hale F.B.A. Historian, Professor of Italian, University College, London Doctor Bernard Hickey M.A.Professor of Commonwealth Literature, University of Venice Deborah Howard Ph.D. Author of 'The Architectural History of Venice' Peter Lauritzen B.A. Andrew Matthews Professor in Psychology, St. George's Hospital, London Rodney Milnes Associate Editor, Opera Magazine Peter Phillips Professor, Royal College of Music, Director The Tallis Singers Professor Dott. Terisio Pignatti Professor of the History of Art, Venice University Stella Rudolph B.A., Laurea, Lecturer in Art History, Syracuse University Florence Program Christina Thoresby Nicholas True B.A.
1983 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus The Right Reverend Dr. Felix Arnott former Archbishop of Brisbane, a member of the Anglican-Roman Catholic Committee, Chaplain of the English Church in Venice David Ekserdjian M.A. Jane Glover Lecturer in Music, St. Hugh's College, Oxford, Chorus Director, Glyndebourne Festival Opera John Hale F.B.A. Historian, Professor of Italian, University College, London Doctor Bernard Hickey M.A. Professor of Commonwealth Literature, University of Venice Charles Hope Lecturer in Renaissance Studies, Warburg Institute, University of London Deborah Howard Ph.D. Author of 'The Architectural History of Venice' Peter Lauritzen B.A. James Macdonald B.A. Diploma Student, Lecoq School of Drama, Paris Rodney Milnes Associate Editor, Opera Magazine Peter Phillips Professor, Royal College of Music, Director The Tallis Scholars Professor Dott. Terisio Pignatti Professor of the History of Art, Venice University William Pinarello Stella Rudolph B.A., Laurea, Lecturer in Art History, Syracuse University Florence Program Christina Thoresby Nicholas True B.A.
1984 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus The Right Reverend Dr. Felix Arnott former Archbishop of Brisbane, a member of the Anglican-Roman Catholic Committee, Chaplain of the English Church in Venice David Ekserdjian M.A. Christie's Junior Research Fellow, Balliol College, Oxford Jane Glover Lecturer in Music, St. Hugh's College, Oxford, Chorus Director, Glyndebourne Festival Opera, Musical Director, Glyndebourne Touring Opera Robin Griffith-Jones M.A. John Hale F.B.A. Historian, Professor of Italian, University College, London David Hemsoll M.A. Charles Hope Lecturer in Renaissance Studies, Warburg Institute, University of London Deborah Howard Ph.D. Author of The Architectural History of Venice Ronnie Katzenstein M.A. Harvard Peter Lauritzen B.A. Author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice, UNESCO report: Venice Restored James Macdonald B.A. Diploma Student, Lecoq and Gaulier Schools of Drama, Paris Rodney Milnes Associate Editor, Opera Magazine John Julius Norwich Nicholas Penny Ph.D. Senior Research Fellow, King's College, Cambridge Peter Phillips Professor, Royal College of Music, Director The Tallis Scholars Professor Dott. Terisio Pignatti Professor of the History of Art, Venice University William Pinarello Sarah Quill Photographer Stella Rudolph B.A., Laurea, Lecturer in Art History, Syracuse University Florence Program Christina Thoresby Nicholas True B.A.
1985 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus David Ekserdjian M.A. Christie's Junior Research Fellow, Balliol College, Oxford Jane Glover Lecturer in Music, St. Hugh's College, Oxford, Chorus Director, Glyndebourne Festival Opera, Musical Director, Glyndebourne Touring Opera David Hemsoll M.A. Doctor Bernard Hickey M.A. Professor of Commonwealth Literature, University of Venice Charles Hope Lecturer in Renaissance Studies, Warburg Institute, University of London Deborah Howard Ph.D. Author of The Architectural History of Venice' John Francis Lane Critic and television filmmaker Peter Lauritzen B.A. Author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice, UNESCO report: Venice Restored James Macdonald B.A. Diploma Student, Lecoq and Gaulier Schools of Drama, Paris Rodney Milnes Associate Editor, Opera Magazine Nicholas Penny Ph.D. Senior Research Fellow, King's College, Cambridge Peter Phillips Professor, Royal College of Music, Director The Tallis Scholars Professor Dott. Terisio Pignatti Professor of the History of Art, Venice University William Pinarello Sarah Quill Photographer Christina Thoresby Nicholas True M.A.
1986 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus Ian Campbell D.Phil. Lecturer, University of Edinburgh Tracey Cooper MFA David Ekserdjian M.A. Christie's Junior Research Fellow, Balliol College, Oxford Sir John Hale Professor of Italian History, University College, London Sandy Heslop B.A., F.S.A. Lecturer, University of East Anglia Geoffrey Humphries Artist John Francis Lane Critic and television filmmaker Peter Lauritzen B.A. Author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice, UNESCO report: Venice Restored. James Macdonald B.A. Rodney Milnes Associate Editor, Opera Magazine, Music Critic, The Spectator Terisio Pignatti Professor of Art History, University of Venice Peter Phillips Professor, Royal College of Music, Director The Tallis Scholars, Music Critic, The Spectator Timothy Prus B.A. Sarah Quill Professional photographer specialising in cinema stills photography, opera and Venice Christina Thoresby Nicholas True M.A. Caroline Villers M.A. Courtauld Institute
1987 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus David Ekserdjian M.A. Christie's Junior Research Fellow, Balliol College, Oxford Jane Glover Artistic Director, London Mozart Players Godfrey Goodwin R.A.D.A. Director Royal Asiatic Society, Deputy Editor, Macmillan's Dictionary of Art Sir John Hale Professor of Italian History, University College, London Doctor Bernard Hickey M.A. Professor of Commonwealth Literature, University of Venice Charles Hope Ph.D. Lecturer in Renaissance Studies, Warburg Institute, University of London Deborah Howard Ph.D. Lecturer, Edinburgh University, author of 'The Architectural History of Venice' John Francis Lane Critic and television filmmaker Peter Lauritzen B.A. Author of Palaces of Venice', 'Venice: 1,000 years of Culture and Civilization, 'The Islands and Lagoons of Venice', 'UNESCO report: Venice Restored James Macdonald B.A. Rodney Milnes Associate Editor, Opera Magazine, music critic, The Spectator Peter Phillips Professor, Royal College of Music, Director, the Tallis Scholars, music critic, The Spectator Terisio Pignatti Professor of Art History, University of Venice Timothy Prus B.A. Sarah Quill Professional photographer specialising in cinema stills photography, opera and Venice Janet Southom M.Phil Courtauld Institute Nicholas True M.A. Caroline Villers M.A. Courtauld Institute
1988 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus David Ekserdjian M.A. Former Christie's Fellow Balliol College, Oxford and lecturer, Courtauld Institute, art critic, The Independent Kenneth Garlick Ph.D. Former Keeper of Western Art, Ashmolean Museum, Oxford Jane Glover M.A., D.Phil. Artistic Director, London Mozart Players, Fellow of St Hugh's College, Oxford Sir John Hale Professor of Italian History, London University Bernard Hickey M.A. Professor of Commonwealth Literature, University of Venice Charles Hope Ph.D. Lecturer in Renaissance Studies, Warburg Institute, University of London Deborah Howard Ph.D. Lecturer, Edinburgh University, author of The Architectural History of Venice Peter Lauritzen M.A. Author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice, UNESCO report: Venice Restored John Matthews Fellow of Queen's College, Oxford Nigel McGilchrist B.A. Consultant to Sovraintendenza alle Belle Arti, Rome, Director, the Anglo-Italian Institute, Rome Rodney Milnes M.A. Editor, Opera Magazine, music critic, The Spectator Peter Phillips B.A. Professor, Royal College of Music, Director, The Tallis Scholars, music critic, The Spectator Terisio Pignatti Professor of Art History, University of Venice Timothy Prus B.A. Art dealer Christina Thoresby Nicholas True M.A. former Whitgift Research Student, Peterhouse, Cambridge Caroline Villers M.A. Lecturer, Courtauld Institute, London University Jon Whiteley Ph.D. Assistant Keeper, Department of Western Art, Ashmolean Museum, Oxford ADDITIONAL CLASSES Venetian-style rowing
1989 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus Bruce Boucher Ph.D. Lecturer, University College, London David Ekserdjian M.A. Former Christie's Fellow Balliol College, Oxford and lecturer, Courtauld Institute, art critic, The Independent Jane Glover M.A., D.Phil. Artistic Director, London Mozart Players, Fellow of St Hugh's College, Oxford Sir John Hale Professor of Italian History, London University Bernard Hickey M.A. Professor of Commonwealth Literature, University of Venice Charles Hope Ph.D. Lecturer in Renaissance Studies, Warburg Institute, University of London Deborah Howard Ph.D. Lecturer, Edinburgh University, author of The Architectural History of Venice Peter Lauritzen M.A. Author of Palaces of Venice, Venice: 1,000 years of Culture and Civilizatio, The Islands and Lagoons of Venice, UNESCO report: Venice Restored John Matthews Fellow of Queen's College, Oxford, Lecturer, Oxford University Nigel McGilchrist B.A. Consultant to Sovraintendenza alle Belle Arti, Rome, Director, the Anglo-Italian Institute, Rome Rodney Milnes M.A. Editor, Opera Magazine, music critic, The Spectator Peter Phillips M.A. Professor, Royal College of Music, Director, The Tallis Scholars, music critic, The Spectator Terisio Pignatti Professor, History of Art, University of Venice Timothy Prus B.A. Art dealer, specialist in 20th century Italian art Brian Pullen Ph.D. Professor of Modern History, Manchester University Christina Thoresby Nicholas True M.A. former Whitgift Research Student, Peterhouse, Cambridge Caroline Villers M.A. Lecturer, Courtauld Institute, London University Jon Whiteley Ph.D. Assistant Keeper, Department of Western Art, Ashmolean Museum, Oxford ADDITIONAL CLASSES Venetian-style rowing
1990 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus John Cobb M.A. FRCS Psych. MRCP Consultant Psychiatrist, Priory Hospital Sonia Coode-Adams Collector of contemporary art and director of her own company which sells contemporary paintings to city corporations and others David Ekserdjian M.A. Cambridge Ph.D Courtauld Institute, former lecturer Courtauld Institute, currently Corpus Christi College, Oxford teaching in Department of History of Art, Oxford University. Writer for The Spectator, The Independent, author of catalogue of Old Master Paintings, Thyssen-Bormanizzo collection Jane Glover M.A. D.Phil. Director, London Mozart Players, Fellow of St Hugh's College, Oxford, well-known conductor and broadcaster Sir John Hale D.Litt. FBA, until recently Professor of Italian History, University College, London, formerly chairman of trustees of the National Gallery, trustee, British Museum, author of books on Florence and the Medici, The Military Organization of a Renaissance State: Venice, editor Concise Encyclopaedia of the Renaissance Charles Hope M.A. D.Phil. Lecturer in Renaissance Studies, Warburg Institute, London University, formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A. Cambridge, Ph.D. Courtauld Institute, FSA, Lecturer in Department of Architecture, Edinburgh University, member of Royal Fine Art Commission for Scotland, author of Jacopo Sansovino: architecture and patronage in Venice and The Architectural History of Venice Geoffrey Humphries Artist living in Venice, has exhibited throughout Europe Peter Lauritzen M.A. Author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice, UNESCO report: Venice Restored Kristen Lippincott Ph.D. Research Fellow, Warburg Institute, London University, numerous publications on Renaissance subjects Edward Lucie-Smith M.A., FRSL, poet, art critic, The Times, The Sunday Times, The London Evening Standard, author of many books including Movements in Art since 1945 and Lives of the Great 20th Century Artists, currently working on a History of Western Civilisation Richard MacKenney Lecturer in History, Edinburgh University, author Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) Peter Phillips well known broadcaster and conductor, Professor of Music, Royal School of Music, founder-director of The Tallis Scholars (Gramophone Record of the Year Award 1987), music critic, The Spectator Terisio Pignatti Professor of Art History, University of Venice, formerly vice-director, the Civic museums of Venice Timothy Prus Ph.D. Italian Design, art dealer Christina Thoresby resident in Venice, publications on Lorenzo Lotto Nicholas True M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies, publications on Byzantium Caroline Villers B.A. (Oxon.), M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Florence Jon Whitely Rome
1991 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus John Cobb M.A., FRC Psych., MRCP Consultant Psychiatrist, Priory Hospital Sonia Coode-Adams Collector of contemporary art and director of her own company, which sells contemporary paintings to city corporations and others Malcolm Crowthers M.Mus. (Lon.), freelance photographer and journalist, formerly music critic, Daily Telegraph. Specialises in photographing musicians for record sleeves and buildings. Illustrated books on Westminster Abbey, St. Paul's Cathedral, Yehudi Menuhin. Several exhibitions of his work have been held in London Mike Davies Partner in Richard Rogers, architects responsible for the Centre Pompidou, Paris and the Lloyds Building, London David Ekserdjian M.A. Cambridge Ph.D. Courtauld Institute, former lecturer Courtauld Institute, currently Corpus Christi College, Oxford teaching in Department of History of Art, Oxford University. Writer for The Spectator, The Independent, author of catalogue of Old Master Paintings, Thyssen-Bormanizzo collection Jane Glover M.A., D.Phil. Director, London Mozart Players, Fellow of St Hugh's College, Oxford, well-known conductor and broadcaster Sir John Hale D.Litt., FBA. Until recently Professor of Italian History, University College, London, formerly chairman of trustees of the National Gallery, trustee, British Museum, author of books on Florence and the Medici, The Military Organization of a Renaissance State: Venice, editor Concise Encyclopaedia of the Renaissance Charles Hope M.A., D.Phil. Lecturer in Renaissance Studies, Warburg Institute, London University, formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A. Cambridge, Ph.D. Courtauld Institute, FSA, Lecturer in Department of Architecture, Edinburgh University, member of Royal Fine Art Commission for Scotland, author of Jacopo Sansovino: architecture and patronage in Venice and The Architectural History of Venice Geoffrey Humphries Artist living in Venice, has exhibited throughout Europe Peter Lauritzen M.A. Author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice, UNESCO report: Venice Restored Edward Lucie-Smith M.A., FRSL, poet, art critic, The Times, The Sunday Times, The London Evening Standard, author of many books including Movements in Art since 1945 and Lives of the Great 20th Century Artists, currently working on a History of Western Civilisation Richard MacKenney Lecturer in History, Edinburgh University, author Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) Rodney Milnes M.A. Editor, Opera Magazine, music critic, The Spectator, well known broadcaster David Newbold M.A. (Oxon.), M.A. (Reading) Linguistics Paula Nuttall Ph.D. in Renaissance Painting, Courtauld Institute. Lectures at Universities of Cambridge and London, publishes in Burlington Magazine and other journals Peter Phillips well known broadcaster and conductor, Professor of Music, Royal School of Music, founder-director of the Tallis Scholars (Gramophone Record of the Year Award 1987), music critic, The Spectator Terisio Pignatti Professor of Art History, University of Venice, formerly vice-director, the Civic museums of Venice Penny Sparke Senior tutor in History of Design at the Royal College of Art. Author of among other books, Italian Design 1870 to the Present, regular contributor to international design magazines and frequent broadcaster on the subject Annabel Thomas Ph.D. in Workshop Organization of 15th century Florentine artists, Courtauld Institute. Lectures for Department of Italian and Art History, Cambridge University, presently publishing a book on Renaissance sketch books and drawings Christina Thoresby Diploma from Accademia di Belle Arti, Venezia, resident in Venice, publications on Lorenzo Lotto Nicholas True M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies, publications on Byzantium Caroline Villers B.A. (Oxon.), M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Florence Rome
1992 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus Rupert Christiansen M.A. Cambridge, author of books on opera Prima Donna, The Grand Obsession and the Romantic poets, Romantic Affinities (Somerset Maugham Prize 1989), former arts editor Harpers and Queen, writes regularly for The Observer, The Spectator, Opera, Vanity Fair, The Independent John Cobb M.A., FRC Psych. MRCP Consultant Psychiatrist, Priory Hospital Sonia Coode-Adams Collector of contemporary art and director of her own company, which sells contemporary paintings to city corporations and others Malcolm Crowthers M.Mus. (Lon.), freelance photographer and journalist, formerly music critic, Daily Telegraph. Specialises in photographing musicians for record sleeves and buildings. Illustrated books on Westminster Abbey, St. Paul's Cathedral, Yehudi Menuhin. Several exhibitions of his work have been held in London Mike Davies Partner in Richard Rogers, architects responsible for the Centre Pompidou, Paris and the Lloyds Building, London Jane Glover M.A., D.Phil. (Oxon.) Conductor, broadcaster and writer Sir John Hale D.Litt. FBA. Until recently Professor of Italian History, University College, London, formerly chairman of trustees of the National Gallery, trustee, British Museum, author of books on Florence and the Medici, The Military Organisation of a Renaissance State: Venice, editor Concise Encyclopaedia of the Renaissance Tom Henry B.A. (Oxon.), M.A. Courtauld Institute, formerly art historian to the National Gallery 'Microgallery', preparing complete catalogue of the collection, numerous contributions to catalogues (Guercino, Van Dyck) and other publications Charles Hope M.A., D.Phil. Lecturer in Renaissance Studies, Warburg Institute, London University, formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A. Cambridge, Ph.D. Courtauld Institute, FSA and FSA Scot. Senior lecturer in Department of Architecture, Edinburgh University. Member of Royal Fine Art Commission for Scotland and Royal Commission on the Ancient and Historical Monuments of Scotland, author of Jacopo Sansovino: architecture and patronage in Venice and The Architectural History of Venice Geoffrey Humphries Portrait-figure artist living in Venice, has exhibited throughout Europe Peter Lauritzen M.A. Author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored Edward Lucie-Smith M.A., FRSL, poet, art critic, The Times, The Sunday Times, The London Evening Standard, author of many books including Movements in Art since 1945, Lives of the Great 20th Century Artists, currently working on a History of Western Civilisation Richard MacKenney Lecturer in History, Edinburgh University, author Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) Paula Nuttall Ph.D. in Renaissance Painting, Courtauld Institute. Lectures at Universities of Cambridge and London, publishes in Burlington Magazine and other journals Nicholas Penny Clore Curator of Renaissance Art, National Gallery, formerly Slade Professor Oxford, Keeper of Department of Western Art, Ashmolean Museum, Oxford Peter Phillips well known broadcaster and conductor, Professor of Music, Royal School of Music, founder-director of the Tallis Scholars (Gramophone Record of the Year Award 1987), music critic, The Spectator Terisio Pignatti Professor of Art History, University of Venice, formerly vice-director, the Civic museums of Venice Penny Sparke Senior tutor in History of Design at the Royal College of Art. Author of among other books, Italian Design 1870 to the Present, regular contributor to international design magazines and frequent broadcaster on the subject Christina Thoresby Diploma from Accademia di Belle Arti, Venezia, resident in Venice, publications on Lorenzo Lotto Nicholas True M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies, publications on Byzantium Caroline Villers B.A. (Oxon.), M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Florence Rome Nigel McGilchrist MA (Oxon.), has lived and worked as an Art Historian in Rome for over ten years. He has taught at Rome University and has been External Consultant to the Superintendence of Fine Arts of the Italian Government, during that period. He lectures for a consortium of American Universities, teaching the history of painting techniques and materials. Francine Van Hertsen M.A. Art History (Louvre, Paris) Diploma of Institute of Painting Conservation, Florence, Art History teacher, Chief Restorer of the frescoes of S. Luigi dei Francesi, Rome.
1993 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus John Cobb M.A., FRC Psych. MRCP Consultant Psychiatrist, Priory Hospital Sonia Coode-Adams Collector of contemporary art and director of her own company, which sells contemporary paintings to city corporations and others Mike Davies Partner in Richard Rogers, architects responsible for the Centre Pompidou, Paris and the Lloyds Building, London Jane Glover M.A., D.Phil. (Oxon.) Conductor, broadcaster and writer Tom Henry B.A. (Oxon.), M.A. Courtauld Institute, formerly art historian to the National Gallery 'Microgallery', preparing complete catalogue of the collection, numerous contributions to catalogues (Guercino, Van Dyck) and other publications Professor George Holmes FBA, Chichele Professor of Medieval History, Fellow of All Souls College, Oxford Charles Hope M.A., D.Phil. Lecturer in Renaissance Studies, Warburg Institute, London University, formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A. Cambridge, Ph.D. Courtauld Institute, FSA and FSA Scot. Senior lecturer in Department of Architecture, Edinburgh University. Member of Royal Fine Art Commission for Scotland and Royal Commission on the Ancient and Historical Monuments of Scotland, author of Jacopo Sansovino: architecture and patronage in Venice and The Architectural History of Venice Geoffrey Humphries Portrait-figure artist living in Venice, has exhibited throughout Europe Peter Lauritzen M.A. Author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored Edward Lucie-Smith M.A., FRSL, poet, art critic, author of many books including Movements in Art since 1945, Lives of the Great 20th Century Artists, currently working on a History of Western Civilisation and a History of 20th Century Latin American Art Richard MacKenney Lecturer in History, Edinburgh University, author Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) Rodney Milnes Editor of Opera Magazine, chief opera critic, The Times, well known broadcaster David Newbold M.A. (Oxon.), M.A.(Reading) Linguistics Paula Nuttall Ph.D. in Renaissance Painting, Courtauld Institute. Lectures at Universities of Cambridge and London, publishes in Burlington Magazine and other journals Nicholas Penny Clore Curator of Renaissance Art, National Gallery, formerly Slade Professor Oxford, Keeper of Department of Western Art, Ashmolean Museum, Oxford Peter Phillips well known broadcaster and conductor, Professor of Music, Royal School of Music, founder-director of the Tallis Scholars (Gramophone Record of the Year Award 1987), music critic, The Spectator Sarah Quill Freelance photographer working between London and Venice. Film work includes Wagner, A Room with a View, White Mischief, and Maestro. Runs Archivo Veneziano, a photographic archive of the city Penny Sparke Senior tutor in History of Design at the Royal College of Art. Author of among other books, Italian Design 1870 to the Present, regular contributor to international design magazines and frequent broadcaster on the subject Nicholas True M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies, publications on Byzantium Caroline Villers B.A. (Oxon.), M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Florence Rome Francine Van Hertsen M.A. Art History (Louvre, Paris) Diploma of Institute of Painting Conservation, Florence, Art History teacher, Chief Restorer of the frescoes of S. Luigi dei Francesi, Rome. Villa D'Este at Tivoli
1994 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus George Bull M.A. (Oxon.), FRSL, writer, journalist and translator of Italian classics John Cobb M.A., FRC Psych. MRCP Consultant Psychiatrist, Priory Hospital Sonia Coode-Adams Collector of contemporary art and director of her own company, which sells contemporary paintings to city corporations and others Mike Davies Partner in Richard Rogers, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and Stansted Airport Gregory Dowling M.A. (Oxon.), teaches at the University of Venice, has written thrillers set in Italy and England, translator Jane Glover M.A., D.Phil. (Oxon.), conductor, broadcaster and writer Charles Hope M.A., D.Phil. Lecturer in Renaissance Studies, Warburg Institute, London University, formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A. Cambridge, Ph.D. Courtauld Institute, FSA and FSA Scot. Senior lecturer in Department of Architecture, Edinburgh University. Member of Royal Fine Art Commission for Scotland and Royal Commission on the Ancient and Historical Monuments of Scotland, author of Jacopo Sansovino: architecture and patronage in Renaissance Venice and The Architectural History of Venice Geoffrey Humphries Portrait-figure artist living in Venice, has exhibited throughout Europe Peter Lauritzen M.A. Author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice, UNESCO report: Venice Restored, editor at large of Architectural Digest Edward Lucie-Smith M.A., FRSL, poet, art critic, author of many books including Movements in Art since 1945 and Lives of the Great 20th Century Artists, currently working on a History of Western Civilisation and a History of 20th Century Latin American Art Richard MacKenney Senior lecturer in History, Edinburgh University, author Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) and Sixteenth Century Europe (1993) Rodney Milnes Editor of Opera magazine, chief opera critic, The Times, well known broadcaster David Newbold M.A. (Oxon.), M.A.(Reading) Linguistics Paula Nuttall B.A., Ph.D. Courtauld Institute. Lectures in the field of Italian and Netherlandish Renaissance painting for the Universities of Cambridge and London (Courtauld, UCL and Birkbeck), the National Gallery and the Victoria and Albert Musuem Nicholas Penny Clore Curator of Renaissance Art, National Gallery, formerly Slade Professor Oxford, Keeper of Department of Western Art, Ashmolean Museum, Oxford Peter Phillips well known broadcaster and conductor, Professor of Music, Royal College of Music, founder-director of the Tallis Scholars (Gramophone Record of the Year Award 1987), music critic, The Spectator Sarah Quill Freelance photographer working between London and Venice. Film work includes Wagner, A Room with a View, White Mischief and Maestro. Runs Archivo Veneziano, a photographic archive of the city Penny Sparke Senior tutor in History of Design at the Royal College of Art. Author of among other books, Italian Design 1870 to the Present, regular contributor to international design magazines and frequent broadcaster on the subject Nicholas True M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies, publications on Byzantium Caroline Villers B.A. (Oxon.), M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Florence Rome Visits to St. Peter's Basilica, Vatican Museums, Sistine Chapel, Raphael's Stanze Villa D'Este at Tivoli
1995 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus John Allison B.Mus., Ph.D. Assistant Editor of Opera Magazine, writes on music for the Financial Times and other papers. Author of Edward Elgar: Sacred Music and The Mitchell Beazley Pocket Companion to Opera Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting Bruna Caruso Sonia Coode-Adams Collector of contemporary art and director of her own company, which sells contemporary paintings to city corporations and others Malcolm Crowthers M.Mus. (Lon.), freelance photographer and journalist. Formerly music critic, Daily Telegraph. Specialises in photographing musicians for record sleeves and buildings. Illustrated books on Westminster Abbey, St. Paul's Cathedral, Yehudi Menuhin. Several exhibitions of his work have been held in London Mike Davies Partner in Richard Rogers, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and Stansted Airport Gregory Dowling M.A. (Oxon.), teaches at the University of Venice, has written thrillers set in Italy and England, translator Jane Glover M.A., D.Phil. (Oxon.), conductor, broadcaster and writer Charles Hope M.A., D.Phil., lecturer in Renaissance Studies, Warburg Institute, London University, formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A Cambridge, M.A. and Ph.D. Courtauld Institute, FSA, FSA Scot. Fellow of St. John's College, Cambridge. Commissioner of Royal Fine Art Commission for Scotland and Royal Commission on the Ancient and Historical Monuments of Scotland. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice and The Architectural History of Venice Geoffrey Humphries Portrait-figure artist, has lived in Venice for 25 years and exhibited throughout Europe Richard Knight Peter Lauritzen M.A., resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice, UNESCO report: Venice Restored, editor at large of Architectural Digest Edward Lucie-Smith M.A., FRSL, poet, art critic, author of many books including Movements in Art since 1945, Art Today, Lives of the Great 20th Century Artists, currently working on a History of Western Civilisation and a History of 20th Century Latin American Art Richard MacKenney Senior lecturer in History, Edinburgh University, author Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) and Sixteenth Century Europe (1993) Lord McAlpine Paula Nuttall B.A., Ph.D. Courtauld Institute. Lectures in the field of Italian and Netherlandish Renaissance painting for the Universities of Cambridge and London (Courtauld, UCL and Birkbeck), the National Gallery and the Victoria and Albert Museum Nicholas Penny Ph.D., Clore Curator of Renaissance Art, National Gallery. Formerly Slade Professor of Fine Art, Oxford and Keeper of Department of Western Art, Ashmolean Museum, Oxford. Books include Raphael (with Roger Jones), Tastes and the Antique (with Francis Haskell). Responsible for organising exhibitions and catalogues of numerous artists, including Reynolds Peter Phillips well known broadcaster and conductor, Professor of Music, Royal College of Music, founder-director of the Tallis Scholars (Gramophone Record of the Year Award 1987), music critic, The Spectator Penny Sparke Senior tutor in History of Design at the Royal College of Art. Author of among other books, Italian Design 1870 to the Present. She is a regular contributor to international design magazines and frequently broadcasts on the subject Nicholas True M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies. Publications on Byzantium Caroline Villers B.A. (Oxon.), M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Visit to Ravenna - Sant'Apollinare in Classe; San Vitale; Tomb of Galla Placidia; Orthodox Baptistry; museums; Sant'Apollinare Nuovo Florence Francine Van Hertsen M.A. Art History (Louvre, Paris), Diploma of Institute of Painting Conservation, Florence, Art History teacher, Chief Restorer of the frescoes of S.Luigi dei Francesi, Rome Rome Visits to St.Peter's Basilica, Vatican Museums, Sistine Chapel, Raphael's Stanze.
1996 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus John Allison B.Mus., Ph.D. Assistant Editor of Opera Magazine, writes on music for the Financial Times and other papers. Author of Edward Elgar: Sacred Music and The Mitchell Beazley Pocket Companion to Opera Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting Louisa Buck M.A. Cambridge, M.A. Courtauld Institute. Journalist, broadcaster and art critic. Presenter of Radio 4's Kaleidoscope, contemporary arts columnist for The Independent and GQ magazine Bruna Caruso Sonia Coode-Adams Collector of contemporary art and director of her own company, which sells contemporary paintings to city corporations and others Mike Davies Partner in Richard Rogers, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and Stansted Airport Jane Glover M.A., D.Phil. (Oxon.), conductor, broadcaster and writer Charles Hope M.A., D.Phil. Lecturer in Renaissance Studies, Warburg Institute, London University, formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A Cambridge, Ph.D. Courtauld Institute, FSA, FSA Scot. Fellow of St. John's College, Cambridge. Commissioner of Royal Fine Art Commission for Scotland and Royal Commission on the Ancient and Historical Monuments of Scotland. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice and The Architectural History of Venice Geoffrey Humphries Portrait-figure artist, has lived in Venice for 25 years and exhibited throughout Europe Richard Knight Peter Lauritzen M.A., resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice, UNESCO report: Venice Restore, editor at large of Architectural Digest Richard MacKenney Ph.D. Reader in History, Edinburgh University. Author of Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) and Sixteenth Century Europe (1993) Lord McAlpine Paula Nuttall B.A., Ph.D. Courtauld Institute. Lectures in the field of Italian and Netherlandish Renaissance painting for the Universities of Cambridge and London (Courtauld, UCL and Birkbeck), the National Gallery and the Victoria and Albert Museum Nicholas Penny Ph.D. Clore Curator of Renaissance Art, National Gallery. Formerly Slade Professor of Fine Art, Oxford and Keeper of Department of Western Art, Ashmolean Museum, Oxford. Books include Raphael (with Roger Jones), Taste and the Antique (with Francis Haskell). Responsible for organising exhibitions and catalogues of numerous artists, including Reynolds Peter Phillips well known broadcaster and conductor, Professor of Music, Royal College of Music, founder-director of the Tallis Scholars (Gramophone Record of the Year Award 1987), music critic, The Spectator. Publisher of The Musical Times Penny Sparke Senior tutor in History of Design at the Royal College of Art. Author of among other books, Italian Design 1870 to the Present. She is a regular contributor to international design magazines and frequently broadcasts on the subject Nicholas True M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies. Publications on Byzantium Caroline Villers B.A. (Oxon.), M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Florence Francine Van Hertsen M.A. Art History (Louvre, Paris), Diploma of Institute of Painting Conservation, Florence, Art History teacher, Chief Restorer of the frescoes of S. Luigi dei Francesi, Rome Rome Private visits to Vatican Museums including the Apollo Belvedere and Laocoon statues, the Sistine Chapel and Raphael's Stanze. Baroque Rome: Il Gesu, S.Ivo alla Sapienza (Borromini), S.Andrea al Quirinale (Bernini), S.Carlo alle Quattro Fontane (Borromini), S.Maria della Vittoria (Bernini:Ecstasy of St. Theresa), S.Susanna (facade). Villa D'Este and the Temple of Vesta, Tivoli.
1997 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus John Allison B.Mus., Ph.D. Assistant Editor of Opera Magazine. Music critic for The Times. Author of Edward Elgar: Sacred Music and The Mitchell Beazley Pocket Companion to Opera Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting Louisa Buck M.A. Cambridge, M.A. Courtauld Institute. Journalist, broadcaster and art critic. Reviewer for Radio 4's Kaleidoscope, contemporary arts columnist for The Independent and GQ magazine Bruna Caruso Malcolm Crowthers M.Mus. (Lon.) Freelance photographer and journalist. Formerly music critic The Daily Telegraph. Specialises in photographing musicians for CD covers and buildings. Illustrated books on Westminster Abbey, St. Paul's Cathedral, Yehudi Menuhin. Several exhibitions of his work have been held in London. Currently writing book of conversations with the composer John Tavener to be published (Faber & Faber) 1997 Mike Davies Partner in Richard Rogers, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium Project at Greenwich Gregory Dowling M.A. (Oxon.) Teaches at the University of Venice, has written thrillers set in Italy and England, translator Jane Glover M.A., D.Phil. (Oxon.) Conductor, broadcaster and writer Nick Grimshaw CBE, RA, Hon D.Litt., AADip. (Hons.) Chairman, Nicholas Grimshaw & Partners Ltd., architects responsible for Waterloo International Terminal, The Financial Times building, the British Pavilion at Seville EXPO '92, The Western Morning News at Plymouth and the RAC Headquarters at Bristol Charles Hope M.A., D.Phil. Lecturer in Renaissance Studies, Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A Cambridge, Ph.D. Courtauld Institute, FSA, FSA Scot. Fellow of St. John's College, Cambridge. Commissioner of the Royal Fine Art Commission for Scotland and Royal Commission on the Ancient and Historical Monuments of Scotland. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice and The Architectural History of Venice Geoffrey Humphries Portrait-figure artist, has lived in Venice for 30 years and exhibited throughout Europe Dick Kingzett Director of Agnew's, art dealers, joined Christie's 1947; joined Agnew's 1950; became partner 1955. Author of Catalogue Raisonne on Samuel Scott for the Walpole Society. Advisor for the National Heritage Lottery Fund Peter Lauritzen M.A., resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored, editor at large of Architectural Digest Edward Lucie-Smith M.A., FRSL, poet, art critic, author of many books, including Movements in Art since 1945, Art Today, Lives of the Great 20th Century Artists and Visual Arts of the 20th Century. Currently working on a universal history called 30,000 Years of Art Lord McAlpine Active in the worlds of commerce, the arts and wildlife. Treasurer of the Conservative Party from 1975 to 1990 and Deputy Chairman 1979 to 1983. He is a regular columnist for The European, World Interiors, Building Magazine and many national papers in Britain. Has published numerous books, including Journal of a Collector (Pavilion Books) 1993 Richard MacKenney Ph.D. Reader in History, Edinburgh University. Author of Tradesman and Traders: the world of the guilds in Venice and Europe 1250-1650 (1987) and Sixteenth Century Europe (1993) Nigel McGilchrist M.A. (Oxon.) has lived and worked as an art historian in Rome for over 16 years. He has taught at Rome University and has been Director of the Anglo-Italian Institute and External Consultant to the Superintendence of Fine Arts of the Italian Government during that period. He lectures for a consortium of American Universities, teaching the history of painting techniques and materials. A frequent contributor to the Arts page of The Times and a regular lecturer for the San Diego Museum of Art, California David Newbold M.A. (Oxon.), M.A. (Reading) Linguistics, teaches English at University of Verona, author of English language teaching materials, education broadcaster, journalist, and correspondent in Italy for The Times Educational Supplement Paula Nuttall B.A., Ph.D. Courtauld Institute. Lectures in the field of Italian and Netherlandish Renaissance painting for the Universities of Cambridge and London (Courtauld, UCL and Birkbeck), the National Gallery and the Victoria and Albert Museum Nicholas Penny Ph.D. Clore Curator of Renaissance Art, National Gallery. Formerly Slade Professor of Fine Art, Oxford and Keeper of Department of Western Art, Ashmolean Museum, Oxford. Books include Raphael (with Roger Jones), Tastes and the Antique (with Francis Haskell). Responsible for organising exhibitions and catalogues of numerous artists, including Reynolds Penny Sparke Ph.D. Senior tutor in History of Design at the Royal College of Art. Author of among other books, Italian Design 1870 to the Present. She is a regular contributor to international design magazines and frequently broadcasts on the subject Nicholas True CBE, M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies. Publications on Byzantium Caroline Villers B.A. Oxford, M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Florence Francine Van Hertsen M.A. Art History (Louvre, Paris), Diploma of Institute of Painting Conservation, Florence, Art History teacher, Chief Restorer of the frescoes of S. Luigi dei Francesi, Rome Rome Private visits to Vatican Museums including the Apollo Belvedere and Laocoon statues, the Sistine Chapel and Raphael's Stanze. Baroque Rome: Il Gesu, S. Ivo alla Sapienza (Borromini), S. Andrea al Quirinale (Bernini), S. Carlo alle Quattro Fontane (Borromini), S. Maria della Vittoria (Bernini:Ecstasy of St. Theresa), S. Susanna (facade). Villa D'Este and the Temple of Vesta, Tivoli
1998 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus John Allison B.Mus., Ph.D. Assistant Editor of Opera Magazine, music critic for The Times. Author of Edward Elgar: Sacred Music and The Mitchell Beazley Pocket Companion to Opera Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting Louisa Buck M.A. Cambridge, M.A. Courtauld Institute. Journalist, broadcaster and art critic. Reviewer for Radio 4's Kaleidoscope. Author of Moving Targets: a Users Guide to British Art Now published by Tate Gallery Publications Bruna Caruso Malcolm Crowthers M.Mus. (Lon.) Freelance photographer and journalist. Formerly music critic The Daily Telegraph. Specialises in photographing musicians for CD covers and buildings. Illustrated books on Westminster Abbey, St. Paul's Cathedral, Yehudi Menuhin. Several exhibitions of his work have been held in London. Currently writing book of conversations with the composer John Tavener to be published (Faber & Faber) 1997 Gregory Dowling M.A. (Oxon.) Teaches at the University of Venice, has written thrillers set in Italy and England, translator Jane Glover M.A., D.Phil. (Oxon.) Conductor, broadcaster and writer Philip Gumuchdjian Associate Director at Richard Rogers Partnership, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium project at Greenwich Charles Hope M.A., D.Phil. Lecturer in Renaissance Studies, Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A Cambridge, Ph.D. Courtauld Institute, FSA, FSA Scot. Fellow of St. John's College, Cambridge. Commissioner of the Royal Fine Art Commission for Scotland and Royal Commission on the Ancient and Historical Monuments of Scotland. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice, The Architectural History of Venice Geoffrey Humphries Portrait-figure artist, has lived in Venice for 30 years and exhibited throughout Europe Dick Kingzett Director of Agnew's, art dealers, joined Christie's 1947; joined Agnew's 1950; became partner 1955. Author of Catalogue Raisonne on Samuel Scott for the Walpole Society. Advisor for the National Heritage Lottery Fund Peter Lauritzen M.A. Resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored, editor at large of Architectural Digest Christopher Lloyd M.A., B.Litt. Surveyor of the Queen's Pictures Lord McAlpine Active in the worlds of commerce, the arts and wildlife. Treasurer of the Conservative Party from 1975 to 1990 and Deputy Chairman 1979 to 1983. He is a regular columnist for The European, World Interiors, Building Magazine and many national papers in Britain. Has published numerous books, including Journal of a Collector (Pavilion Books) 1993 Richard MacKenney Ph.D. Reader in History, Edinburgh University. Author of Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) and Sixteenth Century Europe (1993) Nigel McGilchrist M.A. (Oxon) Has lived and worked as an art historian in Rome for over 16 years. He has taught at Rome University and has been Director of the Anglo-Italian Institute and External Consultant to the Superintendence of Fine Arts of the Italian Government during that period. He lectures for a consortium of American Universities, teaching the history of painting techniques and materials. A frequent contributor to the Arts page of The Times and a regular lecturer for the San Diego Museum of Art, California Paula Nuttall B.A., Ph.D. Courtauld Institute. Lectures in the field of Italian and Netherlandish Renaissance painting for the Universities of Cambridge and London (Courtauld, UCL and Birkbeck), the National Gallery and the Victoria and Albert Museum Nicholas Penny Ph.D. Clore Curator of Renaissance Art, National Gallery. Formerly Slade Professor of Fine Art, Oxford and Keeper of Department of Western Art, Ashmolean Museum, Oxford. Books include Raphael (with Roger Jones), Taste and the Antique (with Francis Haskell). Responsible for organising exhibitions and catalogues of numerous artists, including Reynolds Peter Phillips M.A. Well-known broadcaster and conductor, Professor of Music, Royal College of Music, founder of the Tallis Scholars (Gramophone Record of the Year Award 1987), music critic The Spectator. Publisher of The Musical Times Penny Sparke Ph.D. Senior tutor in History of Design at the Royal College of Art. Author of among other books, Italian Design 1870 to the Present. She is a regular contributor to international design magazines and frequently broadcasts on the subject Nicholas True CBE, M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies. Publications on Byzantium Caroline Villers B.A. Oxford, M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Florence Francine Van Hertsen M.A. Art History (Louvre, Paris), Diploma of Institute of Painting Conservation, Florence, Art History teacher, Chief Restorer of the frescoes of S. Luigi dei Francesi, Rome Rome Andrew Wallace-Hadrill M.A., DPhil. Director of the British School at Rome and Professor of Classics at the University of Reading. Roman historian and archaeologist, publishing on Imperial Rome and Pompeii Private visits to Vatican Museums including the Apollo Belvedere and Laocoon statues, the Sistine Chapel and Raphael's Stanze. Baroque Rome: Il Gesu, S. Ivo alla Sapienza (Borromini), S. Andrea al Quirinale (Bernini), S. Carlo alle Quattro Fontane (Borromini), S. Maria della Vittoria (Bernini:Ecstasy of St. Theresa), S. Susanna (facade). Villa D'Este and the Temple of Vesta, Tivoli.
1999 Accommodation: Lectures: The Dante Alighieri Society (Arsenale) Lecturers and Syllabus John Allison B.Mus. Ph.D. Co-editor of Opera Magazine. Music critic for The Times. Author of Edward Elgar: Sacred Music and The Mitchell Beazley Pocket Companion to Opera Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting David Blayney Brown Ph.D. Currently Curator of the Turner Collection at the Tate Gallery. Formerly Curator of the Print Room of the Ashmolean Museum, Oxford. He has written extensively on British 18th and early 19th century painting, especially the art of the Romantic period Louisa Buck M.A. Cambridge, M.A. Courtauld Institute. Journalist, broadcaster and art critic. Reviewer for Radio 4's Kaleidoscope. Author of Moving Targets: A Users Guide to British Art Now published by Tate Gallery Publications Malcolm Crowthers M.Mus. (Lon.) Freelance photographer and journalist. Formerly music critic The Daily Telegraph. Specialises in photographing musicians for CD covers and buildings. Illustrated books on Westminster Abbey, St. Paul's Cathedral, Yehudi Menuhin. Several exhibitions of his work have been held in London. Currently writing book of conversations with the composer John Tavener to be published (Faber & Faber) 1997 Jane Glover M.A., D.Phil. (Oxon.) Conductor, broadcaster and writer Philip Gumuchdjian Associate Director at Richard Rogers Partnership, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium project at Greenwich Charles Hope M.A., D.Phil. Senior lecturer in Renaissance Studies, Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A Cambridge, Ph.D. Courtauld Institute, FSA, FSA Scot., Hon FRIAS. Reader in Architectural History and Fellow of St. John's College, Cambridge. Commissioner of the Royal Commission on the Ancient and Historical Monuments of Scotland. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice and The Architectural History of Venice Geoffrey Humphries Portrait-figure artist, has lived in Venice for 30 years and exhibited throughout Europe Dick Kingzett Director of Agnew's, art dealers, joined Christie's 1947; joined Agnew's 1950; became partner 1955. Author of Catalogue Raisonne on Samuel Scott for the Walpole Society. Advisor for the National Heritage Lottery Fund Peter Lauritzen M.A. Resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored, editor at large of Architectural Digest Christopher Lloyd M.A., B.Litt. Surveyor of the Queen's Pictures Edward Lucie-Smith M.A., FRSL, poet, art critic, author of many books including Movements in Art Since 1945, Art Today, Lives of the Great 20th Century Artists, Visual arts of the 20th Century, currently working on Adam - on the male nude and Zoo - a collection of animal images Lord McAlpine Active in the worlds of commerce, the arts and wildlife. Treasurer of the Conservative Party from 1975 to 1990 and Deputy Chairman 1979 to 1983. He is a regular columnist for The European, World Interiors, Building Magazine and many national papers in Britain. Has published numerous books, including Journal of a Collector (Pavilion Books) 1993 Richard MacKenney Ph.D. Reader in History, Edinburgh University. Author of Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) and Sixteenth Century Europe (1993) Paula Nuttall Ph.D. Courtauld Institute. Course tutor for Medieval and Renaissance Year Course, Victoria and Albert Museum. Also lectures for Birkbeck College and Courtauld Summer School. Has published several studies on the influence of early Netherlandish painting in Italy Nicholas Penny Ph.D. Clore Curator of Renaissance Art, National Gallery. Formerly Slade Professor of Fine Art, Oxford and Keeper of Department of Western Art, Ashmolean Museum, Oxford. Books include Raphael (with Roger Jones), Taste and the Antique (with Francis Haskell). Responsible for organising exhibitions and catalogues of numerous artists, including Reynolds Peter Phillips M.A. Well-known broadcaster and conductor, Professor of Music, Royal College of Music, founder of the Tallis Scholars (Gramophone Record of the Year Award 1987), music critic The Spectator. Publisher of The Musical Times Penny Sparke Ph.D. Senior tutor in History of Design at the Royal College of Art. Author of among other books, Italian Design 1870 to the Present. She is a regular contributor to international design magazines and frequently broadcasts on the subject Joachim Strupp Ph.D. (St. Andrews) Lecturer in History of Art and Heritage Management at the University of Buckingham and his special field is Italian Renaissance Sculpture on which he has published several studies Nicholas True CBE, M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies. Publications on Byzantium Caroline Villers B.A. (Oxon.), M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Visit to Ravenna - Sant'Apollinare in Classe; San Vitale; Tomb of Galla Placidia; Orthodox Baptistry; museums; Sant'Apollinare Nuovo Florence Francine Van Hertsen M.A. Art History (Louvre, Paris), Diploma of Institute of Painting Conservation, Florence, Art History teacher, Chief Restorer of the frescoes of S. Luigi dei Francesi, Rome Rome Visits to the monument to Vittorio Emmanuele, Capitole, SS.Martina e Luca, Forum Romanum, Palatine, Fora of the Emperors, Colosseum, S. Clemente, S. Pietro in Vincoli. Piazza Barbarini, Fontana del Tritone, Piazza di Spagna and the Spanish Steps, Piazza del Popolo and S.Maria del Popolo (Caravaggio), Piazza Navona: Fountain of the Four Rivers (Bernini) and S. Agnes in Piazza Navona (Borromini), S. Maria della Pace, S. Luigi dei Francesi (Caravaggio).The Pantheon, Trevi Fountain and SS.Vincenzo e Anastasio. St. Peter's Basilica. Andrew Wallace-Hadrill M.A., D.Phil. Director of the British School at Rome and Professor of Classics at the University of Reading. Roman historian and archaeologist, publishing on Imperial Rome and Pompeii Private visits to Vatican Museums including the Apollo Belvedere and Laocoon statues, the Sistine Chapel and Raphael's Stanze. Baroque Rome: Il Gesu, S. Ivo alla Sapienza (Borromini), S. Andrea al Quirinale (Bernini), S. Carlo alle Quattro Fontane (Borromini), S. Maria della Vittoria (Bernini:Ecstasy of St. Theresa), S. Susanna (facade). Villa D'Este and the Temple of Vesta, Tivoli.
2000 Accommodation: Lectures: Istituto Artigianelli Lecturers and Syllabus John Allison B.Mus., Ph.D. Co-editor of Opera Magazine. Music critic for The Times. Author of Edward Elgar: Sacred Music and The Mitchell Beazley Pocket Companion to Opera Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting Louisa Buck M.A. Cambridge, M.A. Courtauld Institute. Journalist, broadcaster and art critic. Reviewer for Radio 4's Kaleidoscope. Author of Moving Targets: A Users Guide to British Art Now published by Tate Gallery Publications Tom Dewe Mathews Writer, journalist and broadcaster on film. Author of Censored: The Story of Film Censorship in Britain and a regular contributor to The Guardian, The Evening Standard and Sight and Sound Gregory Dowling M.A. (Oxon.) Teaches at the University of Venice, has written thrillers set in Italy and England, translator David Ekserdjian Ph.D. Editor of Apollo Magazine. Author of Correggio (Yale University Press, 1997) Charles Hope M.A., D.Phil. Senior lecturer in Renaissance Studies, Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A Cambridge, Ph.D. Courtauld Institute, FSA, FSA Scot., Hon FRIAS. Reader in Architectural History and Fellow of St. John's College, Cambridge. Commissioner of the Royal Commission on the Ancient and Historical Monuments of Scotland. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice and The Architectural History of Venice Jeremy Howard Lecturer in Art History at the University of Buckingham. He studied Italian Renaissance Art at Courtauld Institute and spent 15 years working in the London art market, first at Christie's and later at Colnaghi's. He has published many articles on aspects on18th and 19th century collecting with particular reference to The Grand Tour Dick Kingzett Director of Agnew's, art dealers, joined Christie's 1947; joined Agnew's 1950; became partner 1955. Author of Catalogue Raisonne on Samuel Scott for the Walpole Society. Advisor for the National Heritage Lottery Fund Peter Lauritzen M.A. Resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice, and UNESCO report: Venice Restored, editor at large of Architectural Digest Christopher Lloyd M.A., B.Litt. Surveyor of the Queen's Pictures Lord McAlpine Active in the worlds of commerce, the arts and wildlife. Treasurer of the Conservative Party from 1975 to 1990 and Deputy Chairman 1979 to 1983. He is a regular columnist for The European, World Interiors, Building Magazine and many national papers in Britain. Has published numerous books, including Journal of a Collector (Pavilion Books) 1993 Richard MacKenney Ph.D., Reader in History, Edinburgh University. Author of Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) and Sixteenth Century Europe (1993) Paula Nuttall Ph.D. Courtauld Institute. Course tutor for Medieval and Renaissance Year Course, Victoria and Albert Museum. Also lectures for Birkbeck College and Courtauld Summer School. Has published several studies on the influence of early Netherlandish painting in Italy Hugh Palmer Freelance photographer specialising in landscape and architectural subjects, working for book and magazine publishers in Europe and the United States. Currently illustrating the travel book series The Most Beautiful Villages for Thames and Hudson Louise Palomba Associate Director at the Richard Rogers Partnership, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium Project at Greenwich Nicholas Penny Ph.D. Clore Curator of Renaissance Art, National Gallery. Formerly Slade Professor of Fine Art, Oxford and Keeper of Department of Western Art, Ashmolean Museum, Oxford. Books include Raphael (with Roger Jones), Taste and the Antique (with Francis Haskell). Responsible for organising exhibitions and catalogues of numerous artists, including Reynolds Peter Phillips M.A. Well-known broadcaster and conductor, Professor of Music, Royal College of Music, founder of the Tallis Scholars (Gramophone Record of the Year Award 1987), music critic The Spectator. Publisher of The Musical Times Penny Sparke Ph.D. Senior tutor in History of Design at the Royal College of Art. Author of among other books, Italian Design 1870 to the Present. She is a regular contributor to international design magazines and frequently broadcasts on the subject Nicholas True CBE, M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies. Publications on Byzantium Caroline Villers B.A. Oxford, M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Visit to Ravenna - Sant'Apollinare in Classe; San Vitale; Tomb of Galla Placidia; Orthodox Baptistry; museums; Sant'Apollinare Nuovo Florence Matteo Sansone Ph.D. (Edin) is an expert on operatic literature and his special field is late 19th century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Francine Van Hertsen M.A. Art History (Louvre, Paris), Diploma of Institute of Painting Conservation, Florence, Art History teacher, Chief Restorer of the frescoes of S. Luigi dei Francesi, Rome Rome Visits to the monument to Vittorio Emmanuele, Capitole, SS.Martina e Luca, Forum Romanum, Palatine, Fora of the Emperors, Colosseum, S.Clemente, S. Pietro in Vincoli. Piazza Barbarini, Fontana del Tritone, Piazza di Spagna and the Spanish Steps, Piazza del Popolo and S. Maria del Popolo (Caravaggio), Piazza Navona: Fountain of the Four Rivers (Bernini) and S. Agnes in Piazza Navona (Borromini), S. Maria della Pace, S. Luigi dei Francesi (Caravaggio).The Pantheon, Trevi Fountain and SS. Vincenzo e Anastasio. St. Peter's Basilica. Private visits to Vatican Museums including the Apollo Belvedere and Laocoon statues, the Sistine Chapel and Raphael's Stanze. Baroque Rome: Il Gesu, S. Ivo alla Sapienza (Borromini), S. Andrea al Quirinale (Bernini), S. Carlo alle Quattro Fontane (Borromini), S. Maria della Vittoria (Bernini:Ecstasy of St. Theresa), S. Susanna (facade). Villa D'Este and the Temple of Vesta, Tivoli.
2001 Accommodation: Lectures: Istituto Artigianelli Lecturers and Syllabus Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting Louisa Buck M.A. Cambridge, M.A. Courtauld Institute. Journalist, broadcaster and art critic. Reviewer for Radio 4's Kaleidoscope. Author of Moving Targets: A Users Guide to British Art Now published by Tate Gallery Publications Giuseppe Cherubini Graduated in Biology and Natural Sciences, he has published several studies on water birds of Mediterranean wetlands and the Lagoon of Venice. Chief of Wildlife Management department in the local government of Venice Tom Dewe Mathews Writer, journalist and broadcaster on film. Author of Censored: The Story of Film Censorship in Britain and a regular contributor to The Guardian, The Evening Standard and Sight and Sound Jane Glover M.A., D.Phil. (Oxon.) Conductor, broadcaster and writer Charles Hope M.A., D.Phil. Senior lecturer in Renaissance Studies, Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A Cambridge, Ph.D. Courtauld Institute, FSA, FSA Scot., Hon FRIAS. Reader in Architectural History and Fellow of St. John's College, Cambridge. Commissioner of the Royal Commission on the Ancient and Historical Monuments of Scotland. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice and The Architectural History of Venice Jeremy Howard Lecturer in Art History at the University of Buckingham. He studied Italian Renaissance Art at Courtauld Institute and spent 15 years working in the London art market, first at Christie's and later at Colnaghi's. He has published many articles on aspects of 18th and 19th century collecting with particular reference to The Grand Tour Geoffrey Humphries Portrait-figure artist, has lived in Venice for 30 years and exhibited throughout Europe Dick Kingzett Director of Agnew's, art dealers, joined Christie's 1947; joined Agnew's 1950; became partner 1955. Author of Catalogue Raisonne on Samuel Scott for the Walpole Society. Advisor for the National Heritage Lottery Fund Peter Lauritzen M.A. Resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored, editor at large of Architectural Digest Christopher Lloyd M.A., B.Litt. Surveyor of the Queen's Pictures Vivien Lovell B.A. FRSA, Hon FRIBA is a contemporary art curator specialising in the field of permanent and temporary public commissions. Director of Modus Operandi Art Consultants, formerly Founder Director of Public Art Commissions Agency. She was co-publisher of Public Art Space, (Merrell Holberton) 1998 Edward Lucie-Smith M.A., FRSL, Member of the Académie de Poésie Européenne, author of many books including Movements in art since 1945, Art Today, Lives of the Great 20th Century Artists. He has recently published a monograph on the leading feminist artist Judy Chicago Lord McAlpine Active in the worlds of commerce, the arts and wildlife. Treasurer of the Conservative Party from 1975 to 1990 and Deputy Chairman 1979 to 1983. He is a regular columnist for The European, World Interiors, Building Magazine and many national papers in Britain. Has published numerous books, including Journal of a Collector (Pavilion Books) 1993 Richard MacKenney Ph.D. Reader in History, Edinburgh University. Author of Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) and Sixteenth Century Europe (1993) David Newbold M.A. (Oxon.), M.A.(Reading) Linguistics, teaches English at University of Verona, author of English language teaching materials, education broadcaster, journalist, correspondent in Italy for The Times Educational Supplement Paula Nuttall Ph.D. Courtauld Institute. Course tutor for Medieval and Renaissance Year Course, Victoria and Albert Museum. Also lectures for Birkbeck College and Courtauld Summer School. Has published several studies on the influence of early Netherlandish painting in Italy Louise Palomba Associate Director at Richard Rogers Partnership, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium Project at Greenwich Nicholas Penny Ph.D. Clore Curator of Renaissance Art, National Gallery. Formerly Slade Professor of Fine Art, Oxford and Keeper of Department of Western Art, Ashmolean Museum, Oxford. Books include Raphael (with Roger Jones), Taste and the Antique (with Francis Haskell). Responsible for organising exhibitions and catalogues of numerous artists, including Reynolds. Presently Mellon Professor at the Centre for Advanced Study in the Visual Arts, National Gallery of Art, Washington, D.C. Peter Phillips M.A. Well-known broadcaster and conductor, Professor of Music, Royal College of Music, founder of the Tallis Scholars (Gramophone Record of the Year Award 1987). Music critic The Spectator. Publisher of The Musical Times. Artistic Director Oakham International Summer School Timothy Prus M.A. in Cultural Studies. Curator in 20th Century art, design and photography Sarah Quill She has worked as a photographer in Venice for 25 years to create an extensive photographic archive of the city's architecture, environment and daily life. Her book Ruskin's Venice: the Stones Revisited was published in 2000. Joachim Strupp Ph.D. (St. Andrews). Lecturer in History of Art and Heritage Management at the University of Buckingham and his special field is Italian Renaissance Sculpture on which he has published several studies Nicholas True CBE, M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies. Publications on Byzantium Caroline Villers B.A. Oxford, M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Visit to Ravenna - Sant'Apollinare in Classe; San Vitale; Tomb of Galla Placidia; Orthodox Baptistry; museums; Sant'Apollinare Nuovo Florence Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late 19th Century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Francine Van Hertsen M.A. Art History (Louvre, Paris), Diploma of Institute of Painting Conservation, Florence, Art History teacher, Chief Restorer of the frescoes of S. Luigi dei Francesi, Rome Rome Visits to the monument to Vittorio Emmanuele, Capitole, SS. Martina e Luca, Forum Romanum, Palatine, Fora of the Emperors, Colosseum, S. Clemente, S. Pietro in Vincoli. Piazza Barbarini, Fontana del Tritone, Piazza di Spagna and the Spanish Steps, Piazza del Popolo and S.Maria del Popolo (Caravaggio), Piazza Navona: Fountain of the Four Rivers (Bernini) and S. Agnes in Piazza Navona (Borromini), S. Maria della Pace, S. Luigi dei Francesi (Caravaggio). The Pantheon, Trevi Fountain and SS.Vincenzo e Anastasio. St. Peter's Basilica. Private visits to Vatican Museums including the Apollo Belvedere and Laocoon statues, the Sistine Chapel and Raphael's Stanze. Baroque Rome: Il Gesu, S. Ivo alla Sapienza (Borromini), S. Andrea al Quirinale (Bernini), S. Carlo alle Quattro Fontane (Borromini), S. Maria della Vittoria (Bernini:Ecstasy of St. Theresa), S.Susanna (facade). Villa D'Este and the Temple of Vesta, Tivoli.
2002 Accommodation: Lectures: Istituto Canossiano Lecturers and Syllabus Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting Louisa Buck M.A. Cambridge, M.A. Courtauld Institute. Journalist, broadcaster and art critic. Reviewer for Radio 4's Front Row. Author of Moving Targets: A Users Guide to British Art Now published by Tate Gallery Publications Bruna Caruso Graduated in History of Art and Venice, works for the Superintendency of Art, teaches for the Hofstra University and Smithsonian Study Tours. She has written for various publications on Venetian art and architecture Tom Dewe Mathews Writer, journalist and broadcaster on film. Author of Censored: the Story of Film Censorship in Britain and a regular contributor to The Guardian, The Evening Standard and Sight and Sound Jane Glover M.A., D.Phil. (Oxon.) Conductor, broadcaster and writer Paul Hills Author of Venetian Colour: Marble, Mosaic, Printing and Glass (Yale 1999), will be Visiting Professor at the Harvard Centre for Renaissance Studies, Vila I Tatti, Florence Charles Hope M.A., D.Phil. Senior lecturer in Renaissance Studies, Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A Cambridge, Ph.D. Courtauld Institute, FSA, FSA Scot., Hon FRIAS. Reader in Architectural History and Fellow of St. John's College, Cambridge. Commissioner of the Royal Commission on the Ancient and Historical Monuments of Scotland. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice, The Architectural History of Venice and Venice and the East Jeremy Howard Lecturer in Art History at the University of Buckingham. He studied Italian Renaissance Art at Courtauld Institute and spent 15 years working in the London art market, first at Christie's and later at Colnaghi's. He has published many articles on aspects of 18th and 19th Century collecting with particular reference to The Grand Tour Geoffrey Humphries Portrait-figure artist, has lived in Venice for 30 years and exhibited throughout Europe Dick Kingzett Director of Agnew's, art dealers, joined Christie's 1947; joined Agnew's 1950; became partner 1955. Author of Catalogue Raisonne on Samuel Scott for the Walpole Society. Advisor for the National Heritage Lottery Fund Peter Lauritzen M.A. Resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored, editor at large of Architectural Digest Christopher Lloyd M.A., B.Litt. Surveyor of the Queen's Pictures Malcolm Longair Jacksonian Professor of Natural Philosophy at Cambridge where he is Head of the Cavendish Laboratory and Department of Physics, research in high-energy astrophysics and cosmology Vivien Lovell B.A. FRSA, Hon FRIBA is a contemporary art curator specialising in the field of permanent and temporary public commissions. Director of Modus Operandi Art Consultants, formerly Founder Director of Public Art Commissions Agency. She was co-publisher of Public Art Space (Merrell Holberton 1998) Richard MacKenney Ph.D. Reader in History, Edinburgh University. Author of Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) and Sixteenth Century Europe (1993) Tim Marlow M.A. Courtauld Institute, writer, broadcaster, editor Tate Magazine. He has written and presented a 14 part series for British television, The Great Artists, with accompanying book published by Faber & Faber Rodney Milnes Long-standing writer and broadcaster on opera. Editor of Opera Magazine 1985 1999. Chief opera critic of The Times David Newbold M.A. (Oxon.), M.A.(Reading) Linguistics, teaches English at University of Verona, author of English language teaching materials, education broadcaster, journalist, correspondent in Italy for The Times Educational Supplement Paula Nuttall Ph.D. Courtauld Institute. Course tutor for Medieval and Renaissance Year Course, Victoria and Albert Museum. Also lectures for Birkbeck College and Courtauld Summer School. Has published several studies on the influence of early Netherlandish painting in Italy Louise Palomba Associate Director at Richard Rogers Partnership, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium Project at Greenwich Nicholas Penny Ph.D. Clore Curator of Renaissance Art, National Gallery. Formerly Slade Professor of Fine Art, Oxford and Keeper of Department of Western Art, Ashmolean Museum, Oxford. Books include Raphael (with Roger Jones), Taste and the Antique (with Francis Haskell). Responsible for organising exhibitions and catalogues of numerous artists, including Reynolds. Presently Mellon Professor at the Centre for Advanced Study in the Visual Arts, National Gallery of Art, Washington, D.C. Peter Phillips M.A. Well-known broadcaster and conductor, Professor of Music, Royal College of Music, founder of the Tallis Scholars (Gramophone Record of the Year Award 1987). Music critic The Spectator. Publisher of The Musical Times. Artistic Director Oakham International Summer School Timothy Prus M.A. in Cultural Studies. Curator in 20th century art, design and photography Sarah Quill She has worked as a photographer in Venice for 25 years to create an extensive photographic archive of the city's architecture, environment and daily life. Her book Ruskin's Venice: the Stones Revisited was published in 2000 Joachim Strupp Ph.D. (St. Andrews) Lecturer in History of Art and Heritage Management at the University of Buckingham and his special field is Italian Renaissance Sculpture on which he has published several studies Alexander Sturgis Ph.D. Courtauld Institute. Exhibition and Programme Curator at the National Gallery, organised exhibitions including Rembrandt by Himself and Telling Time. He was recently responsible for the re-hanging of the Gallery's Sainsbury Wing which houses the paintings of the early Renaissance Nicholas True CBE, M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies. Publications on Byzantium Caroline Villers B.A. (Oxon.), M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Visit to Ravenna - Sant'Apollinare in Classe; San Vitale; Tomb of Galla Placidia; Orthodox Baptistry; museums; Sant'Apollinare Nuovo Florence Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late 19th Century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Francine Van Hertsen M.A. Art History (Louvre, Paris), Diploma of Institute of Painting Conservation, Florence, Art History teacher, Chief Restorer of the frescoes of S. Luigi dei Francesi, Rome Rome Visits to the monument to Vittorio Emmanuele, Capitole, SS. Martina e Luca, Forum Romanum, Palatine, Fora of the Emperors, Colosseum, S.Clemente, S. Pietro in Vincoli. Piazza Barbarini, Fontana del Tritone, Piazza di Spagna and the Spanish Steps, Piazza del Popolo and S. Maria del Popolo (Caravaggio), Piazza Navona: Fountain of the Four Rivers (Bernini) and S. Agnes in Piazza Navona (Borromini), S. Maria della Pace, S. Luigi dei Francesi (Caravaggio).The Pantheon, Trevi Fountain and SS. Vincenzo e Anastasio. St. Peter's Basilica. Private visits to Vatican Museums including the Apollo Belvedere and Laocoon statues, the Sistine Chapel and Raphael's Stanze. Baroque Rome: Il Gesu, S. Ivo alla Sapienza (Borromini), S. Andrea al Quirinale (Bernini), S. Carlo alle Quattro Fontane (Borromini), S. Maria della Vittoria (Bernini:Ecstasy of St. Theresa), S. Susanna (facade). Villa D'Este and the Temple of Vesta, Tivoli.
2003 Accommodation: Lectures: Istituto Canossiano Lecturers and Syllabus Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting Louisa Buck M.A. Cambridge, M.A. Courtauld Institute. Journalist, broadcaster and art critic. Reviewer for Radio 4's Front Row. Author of Moving Targets: A Users Guide to British Art Now published by Tate Gallery Publications Bruna Caruso Graduated in History of Art and Venice, works for the Superintendency of Art, teaches for the Hofstra University and Smithsonian Study Tours. She has written for various publications on Venetian art and architecture Gregory Dowling M.A. (Oxon.), teaches at the University of Venice, has written thrillers set in Italy and England, translator David Ekserdjian Ph.D. is editor of Apollo Magazine. Author of Correggio (Yale University Press) 1997 Charles Hope M.A., D.Phil. Director of the Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A Cambridge, Ph.D. Courtauld Institute, FSA, FSA Scot., Hon FRIAS. Professor of Architectural History and Fellow of St. John's College, Cambridge. Head of Department of History of Art, University of Cambridge. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice, The Architectural History of Venice and Venice and the East Jeremy Howard Lecturer in Art History at the University of Buckingham. He studied Italian Renaissance Art at Courtauld Institute and spent 15 years working in the London art market, first at Christie's and later at Colnaghi's. He has published many articles on aspects of 18th and 19th Century collecting with particular reference to The Grand Tour Geoffrey Humphries Portrait-figure artist, has lived in Venice for 30 years and exhibited throughout Europe Peter Lauritzen M.A. Resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored, editor at large of Architectural Digest Christopher Lloyd M.A., B.Litt. Surveyor of the Queen's Pictures Vivien Lovell B.A. FRSA, Hon FRIBA is a contemporary art curator specialising in the field of permanent and temporary public commissions. Director of Modus Operandi Art Consultants, formerly Founder Director of Public Art Commissions Agency. She was co-publisher of Public Art Space (Merrell Holberton) 1998 Edward Lucie-Smith M.A., FRSL, Member of the Académie de Poésie Européenne, author of many books including Movements in Art since 1945, Art Today, Lives of the Great 20th Century Artists. He has recently published a monograph on the leading feminist artist Judy Chicago Richard MacKenney M.A., Ph.D. Reader in History, Edinburgh University. Author of Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) and Sixteenth Century Europe (1993) Derek Malcolm was chief film critic of The Guardian for 30 years and still writes for the paper. He is President of the International Film Critics Association, whose members cover over 60 countries Tim Marlow M.A. Courtauld Institute, writer, broadcaster, editor Tate Magazine. He has written and presented a 14 part series for British television, The Great Artists, with accompanying book published by Faber & Faber Rodney Milnes Long-standing writer and broadcaster on opera. Editor of Opera Magazine 1985 1999. Chief opera critic of The Times David Newbold M.A. (Oxon.), M.A.(Reading) Linguistics, teaches English at University of Verona, author of English language teaching materials, education broadcaster, journalist, correspondent in Italy for The Times Educational Supplement Paula Nuttall Ph.D. Courtauld Institute. Course tutor for Medieval and Renaissance Year Course, Victoria and Albert Museum. Also lectures for Birkbeck College and Courtauld Summer School. Has published several studies on the influence of early Netherlandish painting in Italy Louise Palomba Associate Director at Richard Rogers Partnership, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium Project at Greenwich Peter Phillips M.A. Well-known broadcaster and conductor, Professor of Music, Royal College of Music, founder of the Tallis Scholars (Gramophone Record of the Year Award 1987). Music critic The Spectator. Publisher of The Musical Times. Artistic Director Oakham International Summer School Timothy Prus M.A. in Cultural Studies. Curator in 20th Century art, design and photography Sarah Quill She has worked as a photographer in Venice for 25 years to create an extensive photographic archive of the city's architecture, environment and daily life. Her book Ruskin's Venice: the Stones Revisited was published in 2000 Joachim Strupp Ph.D. (St. Andrews). Has been Lecturer in History of Art at the Universities of Buckingham and St. Andrews for ten years and his special field is Italian Renaissance Sculpture on which he has published several studies. Now Fellow at the University of Buckingham and co-founder of Art Pursuits, which specialises in adult education and the organisation of cultural events Alexander Sturgis Ph.D. Courtauld Institute. Exhibition and Programme Curator at the National Gallery, organised exhibitions including Rembrandt by Himself and Telling Time. He was recently responsible for the re-hanging of the Gallery's Sainsbury Wing which houses the paintings of the early Renaissance Nicholas Till Ph.D. Author of Mozart and the Enlightenment, writer, broadcaster and opera director. Senior Lecturer in Contemporary Art and Performance at Wimbledon School of Art, London Nicholas True CBE, M.A. Former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies. Publications on Byzantium Caroline Villers B.A. (Oxon.), M.A. Courtauld Institute, Diploma in Conservation, Courtauld Institute, lecturer in conservation of paintings, Courtauld Institute Visit to Ravenna - Sant'Apollinare in Classe; San Vitale; Tomb of Galla Placidia; Orthodox Baptistry; museums; Sant'Apollinare Nuovo Florence Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late 19th century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Francine Van Hertsen M.A. Art History (Louvre, Paris), Diploma of Institute of Painting Conservation, Florence, Art History teacher, Chief Restorer of the frescoes of S. Luigi dei Francesi, Rome Rome Visits to the monument to Vittorio Emmanuele, Capitole, SS.Martina e Luca, Forum Romanum, Palatine, Fora of the Emperors, Colosseum, S.Clemente, S. Pietro in Vincoli. Piazza Barbarini, Fontana del Tritone, Piazza di Spagna and the Spanish Steps, Piazza del Popolo and S.Maria del Popolo (Caravaggio), Piazza Navona: Fountain of the Four Rivers (Bernini) and S. Agnes in Piazza Navona (Borromini), S. Maria della Pace, S. Luigi dei Francesi (Caravaggio).The Pantheon, Trevi Fountain and SS.Vincenzo e Anastasio. St. Peter's Basilica. Private visits to Vatican Museums including the Apollo Belvedere and Laocoon statues, the Sistine Chapel and Raphael's Stanze. Baroque Rome: Il Gesu, S. Ivo alla Sapienza (Borromini), S. Andrea al Quirinale (Bernini), S.Carlo alle Quattro Fontane (Borromini), S. Maria della Vittoria (Bernini:Ecstasy of St. Theresa), S. Susanna (facade).
2004 Accommodation: Lectures: Istituto Canossiano Lecturers and Syllabus Vicky Avery Ph.D. Fellow of the Department of History of Art, University of Cambridge, part-time lecturer at Cambridge, Warwick and Buckingham Universities Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting Louisa Buck M.A. Cambridge, M.A. Courtauld Institute. Journalist, broadcaster and art critic. Reviewer for Radio 4's Front Row. Author of Moving Targets: a users' guide to British Art Now - published by Tate Gallery Publications Bruna Caruso Graduated in History of Art and Venice, works for the Superintendency of Art, teaches for the Hofstra University and Smithsonian Study Tours. She has written for various publications on Venetian art and architecture Gregory Dowling M.A. (Oxon.) Teaches at the University of Venice, has written thrillers set in Italy and England, translator Jill Dunkerton M.A., restorer in the Conservation Department, National Gallery, London Jane Glover M.A., D.Phil. (Oxon), conductor, broadcaster and writer Charles Hope M.A., D.Phil. Director of the Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A Cambridge, M.A. and Ph.D. Courtauld Institute, FSA, FSA Scot. Hon FRIAS. Professor of Architectural History and Fellow of St. John's College, Cambridge. Head of Department of History of Art, University of Cambridge. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice, The Architectural History of Venice and Venice and the East Jeremy Howard M.A. (Oxon.), M.A. Courtauld Institute is a lecturer in Art History at the University of Buckingham. He studied Italian Renaissance Art at Courtauld Institute and spent 15 years working in the London art market, first at Christie's and later at Colnaghi's. He has published many articles on aspects of 18th and 19th century collecting with particular reference to The Grand Tour Geoffrey Humphries Portrait-figure artist, has lived in Venice for 30 years and exhibited throughout Europe Peter Lauritzen M.A. Resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice, UNESCO report: Venice Restored, editor at large of Architectural Digest Christopher Lloyd M.A., B.Litt. Surveyor of the Queen's Pictures Vivien Lovell B.A., FRSA, Hon FRIBA is a contemporary art curator specialising in the field of permanent and temporary public commissions. Director of Modus Operandi Art Consultants, formerly Founder Director of Public Art Commissions Agency. She was co-publisher of Public Art Space (Merrell Holberton) 1998 Richard MacKenney M.A., Ph.D. Reader in History, Edinburgh University. Author of Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987) and Sixteenth Century Europe (1993) Derek Malcolm was chief film critic of The Guardian for 30 years and still writes for the paper. He is President of the International Film Critics Association, whose members cover over 60 countries Tim Marlow M.A. Courtauld Institute, writer, broadcaster, editor Tate Magazine. He has written and presented a 14 part series for British television, The Great Artists, with accompanying book published by Faber & Faber David Newbold M.A. (Oxon.), M.A.(Reading) Linguistics, teaches English at University of Verona, author of English language teaching materials, education broadcaster, journalist, correspondent in Italy for The Times Educational Supplement Paula Nuttall Ph.D. Courtauld Institute. Course tutor for Medieval and Renaissance Year Course, Victoria and Albert Museum. Also lectures for Birkbeck College and Courtauld Summer School. Has published several studies on the influence of early Netherlandish painting in Italy Louise Palomba Associate Director at Richard Rogers Partnership, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium Project at Greenwich Nicholas Penny Ph.D. Former Clore Curator of Renaissance Art, National Gallery and Slade Professor of Fine Art, Oxford and Keeper of Department of Western Art, Ashmolean Museum, Oxford. Books include Raphael (with Roger Jones), Taste and the Antique (with Francis Haskell). Responsible for organising exhibitions and catalogues of numerous artists, including Reynolds. Presently Senior Curator, European Sculpture, National Gallery of Art, Washington, DC Timothy Prus M.A. in Cultural Studies. Curator in 20th century art, design and photography Sarah Quill She has worked as a photographer in Venice for 25 years to create an extensive photographic archive of the city's architecture, environment and daily life. Her book Ruskin's Venice: The Stones Revisited was published in 2000 Jeremy Sams B.A. Director and translator. Opera translations include Wagner's Ring, Mozart's Figaro, Magic Flute and Cosi fan Tutte (ENO), Lehar's Merry Widow (Covent Garden). Frequent broadcaster on opera and other music including his series Sams at the Opera for Susan Steer M.A. Part-time lecturer, University of Bristol Alexander Sturgis Ph.D. Courtauld Institute. Exhibition and Programme Curator at the National Gallery, curated exhibitions including Rembrandt by Himself and Telling Time. He was recently responsible for the re-hanging of the Gallery's Sainsbury Wing which houses the paintings of the early Renaissance Nicholas True CBE, M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies. Publications on Byzantium Rosella Zorzi Professor in American Literature, University of Venice, Director, Societa Dante Alighieri, Venice Visit to Ravenna - Sant'Apollinare in Classe; San Vitale; Tomb of Galla Placidia; Orthodox Baptistry; museums; Sant'Apollinare Nuovo Florence Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late 19th century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Jeremy Howard Rome Visits to the monument to Vittorio Emmanuele, Capitole, SS.Martina e Luca, Forum Romanum, Palatine, Fora of the Emperors, Colosseum, S.Clemente, S.Pietro in Vincoli. Piazza Barbarini, Fontana del Tritone, Piazza di Spagna and the Spanish Steps, Piazza del Popolo and S.Maria del Popolo (Caravaggio), Piazza Navona: Fountain of the Four Rivers (Bernini) and S.Agnes in Piazza Navona (Borromini), S.Maria della Pace, S.Luigi dei Francesi (Caravaggio).The Pantheon, Trevi Fountain and SS.Vincenzo e Anastasio. St. Peter's Basilica. Private visits to Vatican Museums including the Apollo Belvedere and Laocoon statues, the Sistine Chapel and Raphael's Stanze. Baroque Rome: Il Gesu, S.Ivo alla Sapienza (Borromini), S.Andrea al Quirinale (Bernini), S.Carlo alle Quattro Fontane (Borromini), S.Maria della Vittoria (Bernini:Ecstasy of St. Theresa), S.Susanna (facade). Villa D'Este and the Temple of Vesta, Tivoli.
2005 Accommodation: Lectures: Istituto Canossiano Lecturers and Syllabus Vicky Avery Ph.D. Fellow of the Department of History of Art, University of Cambridge, part-time lecturer at Cambridge, Warwick and Buckingham Universities Chantal Brotherton-Radcliffe M.A. (Edin.), Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting Louisa Buck M.A. Cambridge, M.A. Courtauld Institute. Journalist, broadcaster and art critic. Reviewer for Radio 4's Front Row. Author of Moving Targets: A Users Guide to British Art Now published by Tate Gallery Publications Edward Buscombe Former Head of Publishing at the British Film Institute. He has taught at many universities including New York, Columbia, Yale, Oxford, Sussex and King's College, London. He is author of Cinema Today (Phaidon) 2003 Bruna Caruso Graduated in History of Art and Venice, works for the Superintendency of Art, teaches for the Hofstra University and Smithsonian Study Tours. She has written for various publications on Venetian art and architecture Gregory Dowling M.A. (Oxon.) Teaches at the University of Venice, has written thrillers set in Italy and England, translator Jill Dunkerton M.A. Restorer in the Conservation Department, National Gallery, London Jane Glover M.A., D.Phil. (Oxon.) Conductor, broadcaster and writer Charles Hope M.A., D.Phil. Director of the Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An organiser of the 'Genius of Venice' exhibition at the Royal Academy, author of Titian and other publications Deborah Howard M.A Cambridge, Ph.D. Courtauld Institute, FSA, FSA Scot., Hon FRIAS. Professor of Architectural History and Fellow of St. John's College, Cambridge. Head of Department of History of Art, University of Cambridge. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice, The Architectural History of Venice and Venice and the East Jeremy Howard M.A. (Oxon.), M.A. Courtauld Institute is a lecturer in Art History at the University of Buckingham. He studied Italian Renaissance Art at Courtauld Institute and spent 15 years working in the London art market, first at Christie's and later at Colnaghi's. He has published many articles on aspects of 18th and 19th Century collecting with particular reference to The Grand Tour Geoffrey Humphries Portrait-figure artist, has lived in Venice for 30 years and exhibited throughout Europe Peter Lauritzen M.A. Resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored, editor at large of Architectural Digest Christopher Lloyd M.A., B.Litt. Surveyor of the Queen's Pictures Vivien Lovell B.A. FRSA, Hon FRIBA is a contemporary art curator specialising in the field of permanent and temporary public commissions. Director of Modus Operandi Art Consultants, formerly Founder Director of Public Art Commissions Agency. She was co-publisher of Public Art Space (Merrell Holberton) 1998 Edward Lucie-Smith M.A., FRSL, Member of the Académie de Poésie Européenne, author of many books including Movements in Art since 1945, Art Today and Lives of the Great 20th Century Artists. He has recently published a monograph on the leading feminist artist Judy Chicago Rodney Milnes Long-standing writer and broadcaster on opera. Editor of Opera Magazine 1985-1999. Chief opera critic of The Times David Newbold M.A. (Oxon.), M.A.(Reading) Linguistics, teaches English at University of Verona, author of English language teaching materials, education broadcaster, journalist, correspondent in Italy for The Times Educational Supplement Paula Nuttall Ph.D. Courtauld Institute. Began lecturing at the British Institute of Florence. Course tutor for Victoria and Albert Museum's Medieval and Renaissance Year Course. Also teaches for Courtauld Institute and Christie's. Her book From Flanders to Florence, the Impact of Netherlandish Painting was published by Yale in 2004 Louise Palomba Associate Director at Richard Rogers Partnership, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium Project at Greenwich Nicholas Penny Ph.D. Former Clore Curator of Renaissance Art, National Gallery and Slade Professor of Fine Art, Oxford and Keeper of Department of Western Art, Ashmolean Museum, Oxford. Books include Raphael (with Roger Jones), Taste and the Antique (with Francis Haskell). Responsible for organising exhibitions and catalogues of numerous artists, including Reynolds. Presently Senior Curator, European Sculpture, National Gallery of Art, Washington, DC Timothy Prus M.A. in Cultural Studies. Curator in 20th Century art, design and photography Sarah Quill She has worked as a photographer in Venice for 25 years to create an extensive photographic archive of the city's architecture, environment and daily life. Her book Ruskin's Venice: the Stones Revisited was published in 2000 Susan Steer M.A., Ph.D. Part-time lecturer, University of Bristol. Currently 'Neil Macgregor scholar' for Glasgow University National Inventory Research Project based at the National Gallery Alexander Sturgis Ph.D. Courtauld Institute. Exhibition and Programme Curator at the National Gallery, organised exhibitions including Rembrandt by Himself and Telling Time. He was recently responsible for the re-hanging of the Gallery's Sainsbury Wing which houses the paintings of the early Renaissance Nicholas True CBE, M.A. former Whitgift Research Student, Peterhouse, Cambridge in the field of Byzantine Studies. Publications on Byzantium Richard Weihe M.Litt. (Oxon.) D.Phil. Writer, translator and lecturer in Theatre Studies Universities of Witten/Herdecke and Zurich. Publications Meer der Tusche (novella) and Die Paradoxie der Maske: Geschichte einer Form - a cultural history of the mask Rosella Zorzi Professor in American Literature, University of Venice, Director, Societa Dante Alighieri, Venice Visit to Ravenna - Sant'Apollinare in Classe; San Vitale; Tomb of Galla Placidia; Orthodox Baptistry; museums; Sant'Apollinare Nuovo Florence Matteo Sansone Ph.D. (Edin.) Expert on operatic literature and his special field is late 19th century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Jeremy Howard Rome Visits to the monument to Vittorio Emmanuele, Capitole, SS.Martina e Luca, Forum Romanum, Palatine, Fora of the Emperors, Colosseum, S. Clemente, S. Pietro in Vincoli. Piazza Barbarini, Fontana del Tritone, Piazza di Spagna and the Spanish Steps, Piazza del Popolo and S. Maria del Popolo (Caravaggio), Piazza Navona: Fountain of the Four Rivers (Bernini) and S. Agnes in Piazza Navona (Borromini), S. Maria della Pace, S. Luigi dei Francesi (Caravaggio).The Pantheon, Trevi Fountain and SS. Vincenzo e Anastasio. St. Peter's Basilica. Private visits to Vatican Museums including the Apollo Belvedere and Laocoon statues, the Sistine Chapel and Raphael's Stanze. Baroque Rome: Il Gesu, S. Ivo alla Sapienza (Borromini), S. Andrea al Quirinale (Bernini), S.Carlo alle Quattro Fontane (Borromini), S. Maria della Vittoria (Bernini:Ecstasy of St. Theresa), S. Susanna (facade). Villa D'Este and the Temple of Vesta, Tivoli.
2006 Accommodation: Lectures: Istituto Canossiano Lecturers and Syllabus Vicky Avery B.A., M.A., Ph.D. (Cantab.) Lecturer, Department of History of Art, University of Warwick Bill Baker Director, Reid Wines Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting David Bryant Louisa Buck M.A. Cambridge, M.A. Courtauld Institute, Journalist, broadcaster and art critic, reviewer for Radio 4's Front Row. Author of Moving Targets: A Users Guide to British Art Now published by Tate Gallery Publications. Member of the Turner Prize Judging Panel 2005 Edward Buscombe Former Head of Publishing at the British Film Institute. He has taught at many universities including New York, Columbia, Yale, Oxford, Sussex and King's College, London. He is author of Cinema Today, Phaidon 2003 Rosemary Butler B.A. International soprano, recording artist for sound tracks Bruna Caruso Graduated in History of Art and Venice, works for the Superintendency of Art, teaches for the Hofstra University and Smithsonian Study Tours; she has written for various publications on Venetian Art and Architecture Jane da Mosto M.A. (Oxon.), M.Sc. Imperial College, London. Environmental scientist. Co-author of The Science of Saving Venice Gregory Dowling M.A. (Oxon.) Teaches at the University of Venice, has written thrillers set in Italy and England, translator Jill Dunkerton M.A. Restorer in the Conservation Dept., National Gallery, London Hugh Edmeades joined Christie's in 1978 as a specialist in the Furniture Department. Became Director in 1984 and was appointed Chairman of Christie's South Kensington in 2001 David Ekserdijian Ph.D. Professor of Art and Film, University of Leicester. Author of Correggio (Yale University Press) 1997 Jane Glover CBE, M.A., D.Phil. (Oxon.) Conductor, broadcaster and writer Charles Hope M.A., D.Phil. Director of the Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An Organiser of the Genius of Venice exhibition at the Royal Academy, author of Titian, and other publications Deborah Howard M.A. (Cambridge), M.A., Ph.D. Courtauld Institute, FSA, FSA Scot., Hon. FRIAS. Professor of Architectural History and Fellow of St John's College Cambridge. Head of Department of History of Art, University of Cambridge. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice, The Architectural History of Venice and Venice and the East Jeremy Howard M.A. (Oxon.), M.A. Courtauld Institute is a lecturer in Art History at the University of Buckingham. He studied Italian Renaissance Art at Courtauld Institute and spent 15 years working in the London art market, first at Christie's and later at Colnaghi's. He has published many articles on aspects of 18th and 19th Century collecting with particular reference to The Grand Tour Geoffrey Humphries Portrait-figure artist, has lived in Venice for 30 years and exhibited throughout Europe Peter Lauritzen M.A. Resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored, editor at large of Architectural Digest Christopher Lloyd M.A., B.Litt. Former Surveyor of The Queen's Pictures William Lorimer Christie's Continental Furniture specialist, former director of Education department and NADFAS lecturer Vivien Lovell B.A., FRSA, Hon. FRIBA Contemporary art curator specialising in the field of permanent and temporary public commissions. Director of Modus Operandi Art Consultants, formerly Founder Director of Public Art Commissions Agency. She was co-publisher of Public:Art:Space Nigel McGilchrist M.A. (Oxon.) Has lived and worked as an Art Historian in Rome for over twenty years. He has taught at Rome University and has been Director of the Anglo-Italian Institute, and External Consultant to the Superintendence of Fine Arts of the Italian Government, during that period. He lectures for a consortium of American Universities, teaching the history of painting techniques and materials. A frequent contributor to the Arts Page of The Times and a regular lecturer for the San Diego Museum of Art, California. Richard MacKenney M.A., Ph.D. Reader in History, Edinburgh University. Author of Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987), Sixteenth Century Europe (1993) and Renaissance: the cultures of Italy, c.1300-c.1600 (Macmillan) 2004 Minna Moore Ede Ph.D. (Oxon.) Assistant Curator of Renaissance Paintings, National Gallery. Exhibitions: Polidoro da Caravaggio (2003), Raphael: from Urbino to Rome (2004), Rubens: A Master in the Making (2005) David Newbold M.A. (Oxon.), M.A. (Reading) Linguistics, teaches English at University of Verona, author of English language teaching materials, education broadcaster, journalist, correspondent in Italy for The Times Educational Supplement Paula Nuttall PhD., Courtauld Institute. Began lecturing at the British Institute of Florence. Course Tutor for Victoria & Albert Museum's Medieval and Renaissance Year Course. Also teaches for Courtauld Institute and Christie's. Her book From Flanders to Florence, the Impact of Netherlandish Painting was published by Yale in 2004 Peter Phillips M.A. Well-known broadcaster and conductor, founder Director of the Tallis Scholars (Gramophone Record of the Year Award 1987), Music critic The Spectator. Publisher of The Musical Times, Artistic Director Oakham International Summer School Timothy Prus M.A. in Cultural Studies. Curator in twentieth century art, design and photography Sarah Quill She has worked as a photographer in Venice for 25 years to create an extensive photographic archive of the city's architecture, environment and daily life. Her book Ruskin's Venice: the Stones Revisited was published in 2000 Jeremy Sams B.A. Director and translator. Opera translations include Wagner's Ring, Mozart's Figaro, Magic Flute and Cosi Fan Tutte (ENO), Lehar's Merry Widow (Covent Garden). Frequent broadcaster on opera and other music including his series, Sams at the Opera for Radio 3 Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late nineteenth-century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Jasper Sharp M.A. (Edin.) Former Exhibitions and Collections co-ordinator at Peggy Guggenheim Collection, Venice Susan Steer M.A. Ph.D. Part-time lecturer, University of Bristol, currently 'Neil Macgregor scholar' for Glasgow University National Inventory Research Project based at the National Gallery Joachim Strupp Ph.D. (St. Andrews), has been Lecturer in History of Art at the Universities of St Andrews and Buckingham for ten years and his special field is Italian Renaissance Sculpture on which he has published several studies. Now Fellow at the University of Buckingham and co-founder of Art Pursuits which specialises in adult education and the organisation of cultural events Nicholas True CBE, M.A. Former Whitgift Research Student at Peterhouse, Cambridge, in the field of Byzantine Studies. Publications on Byzantium Andrew Tyley Associate Director at Richard Rogers Partnership, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium Project at Greenwich Richard Weihe M.Litt. (Oxon.), D.Phil. Writer, translator and lecturer in Theatre Studies Universities of Witten/Herdecke and Zurich. Publications Meer der Tusche (novella) and Die Paradoxie der Maske: Geschichte einer Form - a cultural history of the mask Rosella Zorzi Professor in American Literature, University of Venice. Director Società Dante Alighieri, Venice Orientation walk-abouts (2); the Accademia Gallery; the Frari; S. Marco, Palazzo Ducale Private visits: Dr Bruna Caruso to S. Marco with the mosaics illuminated, with Peter Lauritzen to S.Giorgio Maggiore, now the Fondazione Giorgio Cini; to the Peggy Guggenheim Collection and to Palazzo Gradenigo for a musical evening with Rosemary Forbes-Butler. Visits throughout the city and lagoon islands with Vicky Avery and Susan Steer (week C). Visit to Ravenna - S.Apollinare in Classe; S. Vitale; Tomb of Galla Placida; Orthodox Baptistery; the Museum; S. Apollinare Nuovo. Classes in Venice: Florence Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late nineteenth-century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Introduction to Florence and on-site visit - Jeremy Howard and Charles Hall Uffizi Gallery, the Accademia (Private Visits) The Medici Chapel, Museo dell' Opera del Duomo, S. Croce, Pazzi Chapel, Santa Maria Novella, the Duomo, Piazza della Signoria, the Bargello, San. Lorenzo, The Laurentian Library, Sta Trinita, Rucellai chapel, Medici-Riccardi Palace, Sta Apollonia, Orsanmichele. San Marco, Galleria Palatina, Santa Felicità, Brancacci Chapel. Visit to Gardens of Villa Gamberaia at Settignano Classes: Life Drawing at Charles Cecil Studio Rome Following days - visits to include: Piazza di Spagna, Via del Corso & Montecitorio area, the Pantheon, S.Ivo alla Sapienza, S.Luigi dei Francesi, Piazza Navona, Campo de' Fiori and Piazza Farnese area. St.Peter's Basilica and Private visit to the Vatican Museums (Cortile Ottagonale, Antiquities Collections, the Chapel of Nicholas V, the Raphael Rooms and Sistine Chapel) Private visit to Villa Borghese Gallery, sculpture and paintings collection Private visit to The Keats and Shelley Memorial House Villa d'Este and Temple of Sibilla at Tivoli and lunch at the Ristorante Sibilla
2007 Accommodation: Lectures: Istituto Canossiano Lecturers and Syllabus Vicky Avery B.A., M.A., Ph.D. (Cantab.) Lecturer, Department of History of Art, University of Warwick Bill Baker Director, Reids Wines Xavier Bray Ph.D. (Trinity College, Dublin) Assistant Curator of 17th and 18th Century European Painting at the National Gallery. Curator of major exhibitions at the National Gallery and Museum of Fine Arts, Bilbao Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting David Bryant Louisa Buck M.A. Cambridge, M.A. Courtauld Institute, Journalist, broadcaster and art critic, reviewer for Radio 4's Front Row. Author of Moving Targets: A Users Guide to British Art Now published by Tate Gallery Publications. Member of the Turner Prize Judging Panel 2005 Edward Buscombe Former Head of Publishing at the British Film Institute. He has taught at many universities including New York, Columbia, Yale, Oxford, Sussex and King's College, London. He is author of Cinema Today, Phaidon 2003 Bruna Caruso Graduated in History of Art and Venice, works for the Superintendency of Art, teaches for the Hofstra University and Smithsonian Study Tours; she has written for various publications on Venetian Art and Architecture Jane da Mosto M.A. (Oxon.), MSc. Imperial College, London. Environmental scientist. Co-author of The Science of Saving Venice Gregory Dowling M.A. (Oxon.) Teaches at the University of Venice, has written thrillers set in Italy and England, translator Jill Dunkerton M.A. Restorer in the Conservation Dept., National Gallery, London Hugh Edmeades joined Christie's in 1978 as a specialist in the Furniture Department. Became Director in 1984 and was appointed Chairman of Christie's South Kensington in 2001 Rosemary Forbes Butler B.A. International soprano, recording artist for sound tracks Jane Glover CBE, M.A., D.Phil. (Oxon.) Conductor, broadcaster and writer Frances Harris Charles Hope M.A., D.Phil. Director of the Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An Organiser of the Genius of Venice exhibition at the Royal Academy, author of Titian, and other publications Deborah Howard M.A. (Cambridge), M.A., Ph.D. Courtauld Institute, FSA, FSA Scot., Hon. FRIAS. Professor of Architectural History and Fellow of St John's College Cambridge. Head of Department of History of Art, University of Cambridge. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice, The Architectural History of Venice and Venice and the East Jeremy Howard M.A. (Oxon.), M.A. Courtauld Institute is a lecturer in Art History at the University of Buckingham. He studied Italian Renaissance Art at Courtauld Institute and spent 15 years working in the London art market, first at Christie's and later at Colnaghi's. He has published many articles on aspects of 18th and 19th Century collecting with particular reference to The Grand Tour Geoffrey Humphries Portrait-figure artist, has lived in Venice for 30 years and exhibited throughout Europe Peter Lauritzen M.A. Resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored, editor at large of Architectural Digest Christopher Lloyd M.A., B.Litt. Former Surveyor of The Queen's Pictures William Lorimer Christie's Continental Furniture specialist, former director of Education department and NADFAS lecturer Vivien Lovell B.A., FRSA, Hon. FRIBA Contemporary art curator specialising in the field of permanent and temporary public commissions. Director of Modus Operandi Art Consultants, formerly Founder Director of Public Art Commissions Agency. She was co-publisher of Public Art Space (Merrell Holberton) 1998 Edward Lucie-Smith M.A., FRSL, Member of the Académie de Poésie Européenne, author of many books including Movements in Art since 1945, Art Today, Lives of the Great 20th Century Artists. Has recently published a monograph on the leading feminist artist Judy Chicago. Nigel McGilchrist M.A. (Oxon.) Has lived and worked as an Art Historian in Rome for over twenty years. He has taught at Rome University and has been Director of the Anglo-Italian Institute, and External Consultant to the Superintendence of Fine Arts of the Italian Government, during that period. He lectures for a consortium of American Universities, teaching the history of painting techniques and materials. A frequent contributor to the Arts Page of The Times and a regular lecturer for the San Diego Museum of Art, California. Richard MacKenney M.A., Ph.D. Reader in History, Edinburgh University. Author of Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987), Sixteenth Century Europe (1993) and Renaissance: the cultures of Italy, c.1300-c.1600 (Macmillan) 2005 Sophie McKinlay B.A. History of Art, M.A. Arts Management. Formerly curator Tate Modern. Curator Design Museum Rodney Milnes Long-standing writer and broadcaster on opera. Editor of Opera Magazine 1985-1999. Chief opera critic of The Times David Newbold M.A. (Oxon.), M.A. (Reading) Linguistics, teaches English at University of Verona, author of English language teaching materials, education broadcaster, journalist, correspondent in Italy for The Times Educational Supplement Paula Nuttall PhD., Courtauld Institute. Began lecturing at the British Institute of Florence. Course Tutor for Victoria & Albert Museum's Medieval and Renaissance Year Course. Also teaches for Courtauld Institute and Christie's. Her book From Flanders to Florence, the Impact of Netherlandish Painting was published by Yale in 2004 Nicholas Penny Ph.D. Former Clore Curator of Renaissance Art, National Gallery. Formerly Slade Professor of Fine Art, Oxford and Keeper of Department of Western Art, Ashmolean Museum, Oxford. Books include Raphael (with Roger Jones), Taste and the Antique (with Francis Haskell). Responsible for organising exhibitions and catalogues of numerous artists, including Reynolds. Presently Senior Curator, European Sculpture, National Gallery of Art, Washington, DC Peter Phillips M.A. Well-known broadcaster and conductor, founder Director of the Tallis Scholars (Gramophone Record of the Year Award 1987), Music critic The Spectator. Publisher of The Musical Times, Artistic Director Oakham International Summer School Sarah Quill has worked as a photographer in Venice for 25 years to create an extensive photographic archive of the city's architecture, environment and daily life. Her book Ruskin's Venice: the Stones Revisited was published in 2000 Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late nineteenth-century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Jasper Sharp M.A. (Edin.) Former Exhibitions and Collections co-ordinator at Peggy Guggenheim Collection, Venice Susan Steer M.A. Ph.D. Researcher in Continental Painting for National Inventory Research Project, University of Glasgow. Lecturer (part time) History of Art, University of Bristol Joachim Strupp Ph.D. (St. Andrews) Has been Lecturer in History of Art at the Universities of St Andrews and Buckingham for ten years and his special field is Italian Renaissance Sculpture on which he has published several studies. Now Fellow at the University of Buckingham and co-founder of Art Pursuits, which specialises in adult education and the organisation of cultural events Nicholas True CBE, M.A. Former Whitgift Research Student at Peterhouse, Cambridge, in the field of Byzantine Studies. Publications on Byzantium Andrew Tyley Associate Director at Richard Rogers Partnership, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium Project at Greenwich Jon Whiteley D.Phil. Senior Assistant Keeper, Ashmolean Museum, Oxford. He has written several books on European Art including the complete catalogues of French drawings in the Ashmolean Rosella Zorzi Professor in American Literature, University of Venice. Director Società Dante Alighieri, Venice Venice Private visits: Dr Bruna Caruso to S. Marco with the mosaics illuminated, with Peter Lauritzen to S.Giorgio Maggiore, now the Fondazione Giorgio Cini; to the Peggy Guggenheim Collection and to Palazzo Gradenigo for a musical evening with Rosemary Forbes-Butler. Visits throughout the city and lagoon islands with Vicky Avery and Susan Steer (week C). Visit to Ravenna - S.Apollinare in Classe; S. Vitale; Tomb of Galla Placida; Orthodox Baptistery; the Museum; S. Apollinare Nuovo. Classes in Venice: Florence Introduction to Florence - Jon Whiteley and Charles Hall Uffizi Gallery, the Accademia (Private Visits) The Medici Chapel, Museo dell' Opera del Duomo, S. Croce, Pazzi Chapel, Santa Maria Novella, the Duomo, Piazza della Signoria, the Bargello, San. Lorenzo, The Laurentian Library, Sta Trinita, Rucellai chapel, Medici-Riccardi Palace, Sta Apollonia, Orsanmichele. San Marco, Galleria Palatina, Santa Felicità, Brancacci Chapel. Visit to Gardens of Villa Gamberaia at Settignano Classes: Life Drawing at Charles Cecil Studio Lectures: Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late nineteenth-century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Rome Following days - visits to include: Piazza di Spagna, Via del Corso & Montecitorio area, the Pantheon, S.Ivo alla Sapienza, S.Luigi dei Francesi, Piazza Navona, Campo de' Fiori and Piazza Farnese area. St.Peter's Basilica and Private visit to the Vatican Museums (Cortile Ottagonale, Antiquities Collections, the Chapel of Nicholas V, the Raphael Rooms and Sistine Chapel) Private visit to Villa Borghese Gallery, sculpture and paintings collection Private visit to The Keats and Shelley Memorial House Villa d'Este and Temple of Sibilla at Tivoli and lunch at the Ristorante Sibilla
2008 Accommodation: Lectures: Istituto Canossiano Lecturers and Syllabus Vicky Avery B.A., M.A., Ph.D. (Cantab.) Lecturer, Department of History of Art, University of Warwick Bill Baker Director, Reids Wines Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting David Bryant Louisa Buck M.A. Cambridge, M.A. Courtauld Institute, Journalist, broadcaster and art critic, reviewer for Radio 4's Front Row. Author of Moving Targets: A Users Guide to British Art Now published by Tate Gallery Publications and Owning Art: the Contemporary Art Collectors Handbook. Turner Prize Judge 2005. Contemporary Art Correspondent for The Art Newspaper and a regular contributor to Artforum, Vogue and The Guardian. Bruna Caruso Graduated in History of Art and Venice, works for the Superintendency of Art, teaches for the Hofstra University and Smithsonian Study Tours; she has written for various publications on Venetian Art and Architecture Jane da Mosto M.A. (Oxon.), MSc. Imperial College, London. Environmental scientist. Co-author of The Science of Saving Venice Gregory Dowling M.A. (Oxon.) is Associate Professor of American Literature at the University of Venice, has written thrillers set in Italy and England, translator Jill Dunkerton M.A. Restorer in the Conservation Dept., National Gallery, London. Author of numerous publications on restoration and the history of painting techniques. Hugh Edmeades joined Christie's in 1978 as a specialist in the Furniture Department. Became Director in 1984 and was appointed Chairman of Christie's South Kensington in 2001 David Ekserdjian Ph.D. Professor of Art and Film, University of Leicester. He is author of Correggio (Yale University Press) 1997 Rosemary Forbes Butler B.A. International soprano, recording artist for sound tracks Thomas Geisler MAS, University of Applied Arts Vienna, Design History and Theory critic and co-founder of the annual Vienna Design Weeks Ryan Gilbey is film critic of the New Statesman and a regular contributor to the Sunday Times, The Guardian and Sight & Sound. He read English and American Literature at Kent University in Canterbury and was named Young Film Journalist of the Year by The Independent in 1993. He is the author of several books, including It Don't Worry Me, about 1970s US cinema, and a monograph on Groundhog Day in the BFI Modern Classics series Jane Glover CBE, M.A., D.Phil. (Oxon.) Conductor. Author of Mozart's Women (Macmillan) 2005 John Hardy Christie's Furniture Consultant and Researcher since the late 1980's. Formerly a curator in the Victoria & Albert Museum's Furniture Department Frances Harris Charles Hope M.A., D.Phil. Director of the Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An Organiser of the Genius of Venice exhibition at the Royal Academy, author of Titian, and other publications Deborah Howard M.A. (Cambridge), M.A., Ph.D. Courtauld Institute, FSA, FSA Scot., Hon. FRIAS. Professor of Architectural History and Fellow of St John's College Cambridge. Head of Department of History of Art, University of Cambridge. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice, The Architectural History of Venice and Venice and the East Jeremy Howard M.A. (Oxon.), M.A. Courtauld Institute is a lecturer in Art History at the University of Buckingham. He has published many articles on aspects of eighteenth and nineteenth-century collecting with particular reference to The Grand Tour. Geoffrey Humphries Portrait-figure artist, has lived in Venice for 30 years and exhibited throughout Europe Peter Lauritzen M.A. Resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored, editor at large of Architectural Digest Vivien Lovell B.A., FRSA, Hon. FRIBA Contemporary art curator specialising in the field of permanent and temporary public commissions. Director of Modus Operandi Art Consultants, formerly Founder Director of Public Art Commissions Agency. She was co-publisher of Public Art Space (Merrell Holberton) 1998 Nigel McGilchrist M.A. (Oxon.) Has lived and worked as an Art Historian in Rome for over twenty years. He has taught at Rome University and has been Director of the Anglo-Italian Institute, and External Consultant to the Superintendence of Fine Arts of the Italian Government. Lectures widely in the USA on art and archaeology at museums and universities. He is Chairman of the Editorial Board of the Blue Guides series, and currently writing the new Blue Guide to the monuments and archaeology of the Greek Islands. Richard MacKenney MA, PhD., F.R.Hist.S. Professor of History, the State University of New York, Binghamton. Author of Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987), Sixteenth Century Europe (1993) and Renaissance: the cultures of Italy, c.1300-c.1600 (Macmillan) 2005 David Newbold M.A. (Oxon.), M.A. (Reading) Linguistics, teaches English at University of Verona, author of English language teaching materials, education broadcaster, journalist, and correspondent in Italy for The Times Educational Supplement Paula Nuttall PhD., Courtauld Institute. Began lecturing at the British Institute of Florence. Course Tutor for Victoria & Albert Museum's Medieval and Renaissance Year Course. Also teaches for Courtauld Institute and Christie's. Her book From Flanders to Florence, the Impact of Netherlandish Painting was published by Yale in 2004 Peter Phillips M.A. Chevalier de l'Ordre des Arts et des Lettres 2005. Well-known broadcaster and conductor, founder Director of the Tallis Scholars (Gramophone Record of the Year Award 1987), Music critic The Spectator. Publisher of The Musical Times. Director of Music, Merton College, Oxford from autumn 2008. Rose Prince writes food columns for The Daily Telegraph, The Evening Standard and The Tablet. Author of The New English Kitchen and the Savvy Shopper and she is working on her third book. Sarah Quill has worked as a photographer in Venice for 25 years to create an extensive photographic archive of the city's architecture, environment and daily life. Trustee of the Venice in Peril Fund; consultant for Lancaster University's research project on Ruskin's Venetian notebooks. Her book Ruskin's Venice: the Stones Revisited was published in 2000 Jeremy Sams B.A. Director and translator. Opera translations include Wagner's Ring, Mozart's Figaro, Magic Flute and Cosi Fan Tutte (ENO), Lehar's Merry Widow (Covent Garden). Frequent broadcaster on opera and other music including his series, Sams at the Opera for Radio 3. Recent work as director includes Little Britain Live and The Sound Of Music at the London Palladium. Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late nineteenth-century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Jasper Sharp M.A. (Edin.) Former Exhibitions and Collections co-ordinator at Peggy Guggenheim Collection, Venice. Now an independent curator and writer based in Vienna, Austria Susan Steer M.A. Ph.D. Lecturer (part time) History of Art, University of Bristol and co-tutor in History of Art for the Warwick University 'Venice term' B.A. and M.A. programmes 'Art in Northern Italy 1200-1600'. Joachim Strupp Ph.D. (St. Andrews) Has been Lecturer in History of Art at the Universities of St Andrews and Buckingham for ten years and his special field is Italian Renaissance Sculpture on which he has published several studies. Now Fellow at the University of Buckingham and co-founder of Art Pursuits, which specialises in adult education and the organisation of cultural events Nicholas True CBE, M.A. Former Whitgift Research Student at Peterhouse, Cambridge, in the field of Byzantine Studies. Publications on Byzantium Andrew Tyley B.Sc., B. Arch., M. Arch. (Yale), ARB, RIBA. Associate Director at Richard Rogers Partnership, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium Project at Greenwich Jon Whiteley D.Phil. Senior Assistant Keeper, Ashmolean Museum, Oxford. He has written several books on European Art including the complete catalogues of French drawings in the Ashmolean Rosella Zorzi Professor in American Literature, University of Venice. Director Società Dante Alighieri, Venice Venice Visit to Ravenna - S.Apollinare in Classe; S. Vitale; Tomb of Galla Placida; Orthodox Baptistery; the Museum; S. Apollinare Nuovo. Classes in Venice: Florence Uffizi Gallery, the Accademia (Private Visits) The Medici Chapel, Museo dell' Opera del Duomo, S. Croce, Pazzi Chapel, Santa Maria Novella, the Duomo, Piazza della Signoria, the Bargello, San. Lorenzo, The Laurentian Library, Sta Trinita, Rucellai chapel, Orsanmichele, Ospedale degli Innocenti San Marco, Galleria Palatina, Santa Felicità, Brancacci Chapel. Visit to Gardens of Villa Gamberaia at Settignano Classes: Life Drawing at Charles Cecil Studio Lectures: Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late nineteenth-century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Rome An Introduction to Rome by coach to include the Tiber and the Isola Tiberina, Castel S.Angelo, St.Peter's, the Janiculum Hill, the 'Fontanone', Bramante's Tempietto,S.Pietro in Montorio, the Pyramid of Cestius & the Protestant Cemetery, the Baths of Caracalla, the Circus Maximus; the Via Appia Antica and the tomb of Cecilia Metella, and S. Giovanni in Porta Latina, S.Maria degli Angeli, Santa Constanza, S. Agnese fuori le Mura. Following days - visits to include: The Heart of Rome: The Pantheon; Borromini's Church of Sant' Ivo alla Sapienza, The Caravaggio chapels in S. Luigi de' Francesi and Sant' Agostino, The Ara Pacis, and the Piazza di Spagna area. Private visits to the Borghese Collection (The Bernini sculptures and the paintings collection at the Villa Borghese) and to the Keats and Shelley Memorial House Independent visit to the interior of St Peter's Basilica, Private visit to The Vatican Collections, including Cortile Ottagonale, Antiquities Collections, the Chapel of Nicholas V, the Raphael Rooms and Sistine Chapel VISIT to Villa d'Este and Temple of Sibilla at Tivoli and lunch at the Ristorante Sibilla
2009 Accommodation: Lectures: Istituto Canossiano Lecturers and Syllabus Chantal Brotherton-Radcliffe M.A. Edinburgh, Ph.D. Warburg Institute, teaches for Sotheby's Works of Art Course, specialising in Venetian Painting David Bryant Louisa Buck M.A. Cambridge, M.A. Courtauld Institute, Journalist, broadcaster and art critic, reviewer for Radio 4's Front Row. Author of Moving Targets: A Users Guide to British Art Now published by Tate Gallery Publications and Owning Art: the Contemporary Art Collectors Handbook. Turner Prize Judge 2005. Contemporary Art Correspondent for The Art Newspaper and a regular contributor to Artforum, Vogue and The Guardian. Bruna Caruso Graduated in History of Art and Venice, works for the Superintendency of Art, teaches for the Hofstra University and Smithsonian Study Tours; she has written for various publications on Venetian Art and Architecture Jane da Mosto M.A. (Oxon.), MSc. Imperial College, London. Environmental scientist. Co-author of The Science of Saving Venice Gregory Dowling M.A. (Oxon.) is Associate Professor of American Literature at the University of Venice, has written thrillers set in Italy and England, translator Jill Dunkerton M.A. Restorer in the Conservation Dept., National Gallery, London. Author of numerous publications on restoration and the history of painting techniques. Hugh Edmeades joined Christie's in 1978 as a specialist in the Furniture Department. Became Director in 1984 and was appointed Chairman of Christie's South Kensington in 2001 Ryan Gilbey is film critic of the New Statesman and a regular contributor to the Sunday Times, The Guardian and Sight & Sound. He read English and American Literature at Kent University in Canterbury and was named Young Film Journalist of the Year by The Independent in 1993. He is the author of several books, including It Don't Worry Me, about 1970s US cinema, and a monograph on Groundhog Day in the BFI Modern Classics series Frances Harris Charles Hope M.A., D.Phil. Director of the Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An Organiser of the Genius of Venice exhibition at the Royal Academy, author of Titian, and other publications Deborah Howard M.A. (Cambridge), M.A., Ph.D. Courtauld Institute, FSA, FSA Scot., Hon. FRIAS. Professor of Architectural History and Fellow of St John's College Cambridge. Head of Department of History of Art, University of Cambridge. Author of Jacopo Sansovino: architecture and patronage in Renaissance Venice, The Architectural History of Venice and Venice and the East Jeremy Howard M.A. (Oxon.), M.A. Courtauld Institute is a lecturer in Art History at the University of Buckingham. He has published many articles on aspects of eighteenth and nineteenth-century collecting with particular reference to The Grand Tour. Geoffrey Humphries Portrait-figure artist, has lived in Venice for 40 years and exhibited throughout Europe Peter Lauritzen M.A. Resident in Venice since 1967, author of Palaces of Venice, Venice: 1,000 years of Culture and Civilization, The Islands and Lagoons of Venice and UNESCO report: Venice Restored, editor at large of Architectural Digest William Lorimer Christie’s Continental Furniture specialist, former director of Education department and NADFAS lecturer. Vivien Lovell B.A., FRSA, Hon. FRIBA Contemporary art curator specialising in the field of permanent and temporary public commissions. Director of Modus Operandi Art Consultants, formerly Founder Director of Public Art Commissions Agency. She was co-publisher of Public Art Space Edward Lucie-Smith MA, FRSL, Member of the Académie de Poésie Européenne, author of many books including “Movements in Art since 1945”, “Art Today”, “Lives of the Great 20th Century Artists”. Has recently published a monograph on the leading feminist artist Judy Chicago. Richard MacKenney MA, PhD., F.R.Hist.S. Professor of History, the State University of New York, Binghamton. Author of Tradesmen and traders: the world of the guilds in Venice and Europe 1250-1650 (1987), Sixteenth Century Europe (1993) and Renaissance: the cultures of Italy, c.1300-c.1600 (Macmillan) 2005 David Newbold M.A. (Oxon.), M.A. (Reading) Linguistics, teaches English at University of Verona, author of English language teaching materials, education broadcaster, journalist, and correspondent in Italy for The Times Educational Supplement Paula Nuttall PhD., Courtauld Institute. Began lecturing at the British Institute of Florence. Course Tutor for Victoria & Albert Museum's Medieval and Renaissance Year Course. Also teaches for Courtauld Institute and Christie's. Her book From Flanders to Florence, the Impact of Netherlandish Painting was published by Yale in 2004 Nicholas Penny Ph.D, Director of The National Gallery Peter Phillips M.A. Chevalier de l'Ordre des Arts et des Lettres 2005. Well-known broadcaster and conductor, founder Director of the Tallis Scholars (Gramophone Record of the Year Award 1987), Music critic The Spectator. Publisher of The Musical Times. Director of Music, Merton College, Oxford from autumn 2008. Rose Prince writes food columns for The Daily Telegraph, The Evening Standard and The Tablet. Author of The New English Kitchen and the Savvy Shopper and she is working on her third book. Catharine Rossi MA, has studied Design in Milan and at the Museum of Modern Art in New York, and is currently at the Royal College of Art and Victoria and Albert Museum, specializing in post-war Italian Design. Jeremy Sams B.A. Director and translator. Opera translations include Wagner's Ring, Mozart's Figaro, Magic Flute and Cosi Fan Tutte (ENO), Lehar's Merry Widow (Covent Garden). Frequent broadcaster on opera and other music including his series, Sams at the Opera for Radio 3. Recent work as director includes Little Britain Live and The Sound Of Music at the London Palladium and currently compiling a new Baroque opera from Venetian archives for the metropolitan Opera House, New York. Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late nineteenth-century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Mark Smith photographer, based in Venice, publications include “The Nude: a Visual Reference for the Artist” and “Palaces in Venice”. Susan Steer M.A. Ph.D. Lecturer (part time) History of Art, University of Bristol and co-tutor in History of Art for the Warwick University ‘Venice term’ B.A. and M.A. programmes ‘Art in Northern Italy 1200-1600’. Joachim Strupp Ph.D. (St. Andrews) Has been Lecturer in History of Art at the Universities of St Andrews and Buckingham for ten years and his special field is Italian Renaissance Sculpture on which he has published several studies. Now Fellow at the University of Buckingham and co-founder of Art Pursuits, which specialises in adult education and the organisation of cultural events Nicholas True CBE, M.A. Former Whitgift Research Student at Peterhouse, Cambridge, in the field of Byzantine Studies. Publications on Byzantium Andrew Tyley B.Sc., B. Arch., M. Arch. (Yale), ARB, RIBA. Associate Director at Richard Rogers Partnership, architects responsible for the Centre Pompidou, Paris, the Lloyds Building, London and the new Millennium Project at Greenwich Jon Whiteley D.Phil. Senior Assistant Keeper, Ashmolean Museum, Oxford. He has written several books on European Art including the complete catalogues of French drawings in the Ashmolean Rosella Zorzi Professor in American Literature, University of Venice. Director Società Dante Alighieri, Venice Venice Visit to Ravenna - S. Apollinare in Classe; S. Vitale; Tomb of Galla Placida; Orthodox Baptistery; the Museum; S. Apollinare Nuovo. Classes in Venice: Florence The Medici Chapel, Museo dell’ Opera del Duomo, S. Croce, Pazzi Chapel, Santa Maria Novella, the Duomo, Piazza della Signoria, the Bargello, San. Lorenzo, The Laurentian Library, Sta Trinita, Rucellai chapel, Orsanmichele, Ospedale degli Innocenti San Marco, Galleria Palatina, Santa Felicità, Brancacci Chapel. Visit to Gardens of Villa Gamberaia at Settignano Classes: Life Drawing at Charles Cecil Studio Lectures: Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late nineteenth-century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence Rome On first evening, a walk around the historic centre of Rome introducing its main landmarks and monuments to include Campo de Fiori area - Palazzo della Cancelleria, Palazzo Farnese and Palazzo Spada: the Ghetto area, the Capitol Hill and Michelangelo's Square, the Trevi Fountain; the Hadrianeum; and past the Pantheon to Piazza Navona An Introduction to Rome by coach to include the Tiber and the Iola Iberian, Castle Spangle, St.Peter's, the Janiculum Hill, the 'Fontanone', Bramante's Tempietto, S. Pietro in Montorio, the Pyramid of Cestius & the Protestant Cemetery, the Baths of Caracalla, the Circus Maximus; the Via Appia Antica and the tomb of Cecilia Metella, and S. Giovanni in Porta Latina, S. Maria degli Angeli, Santa Constanza, S. Agnese fuori le Mura. Following days – visits to include: The Heart of Rome: The Pantheon; Borromini's Church of Sant' Ivo alla Sapienza, The Caravaggio chapels in S. Luigi de' Francesi and Sant' Agostino, The Ara Pacis, and the Piazza di Spagna area. Private visits to the Borghese Collection (The Bernini sculptures and the paintings collection at the Villa Borghese) and to the Keats and Shelley Memorial House Independent visit to the interior of St Peter's Basilica, Private visit to The Vatican Collections, including Cortile Ottagonale, Antiquities Collections, the Chapel of Nicholas V, the Raphael Rooms and Sistine Chapel VISIT to Villa d’Este and Temple of Sibilla at Tivoli and lunch at the Ristorante Sibilla.
2010 Accommodation: Lectures: Istituto Canossiano Lecturers and Syllabus KAREN ARMSTRONG commentator on religious affairs, who has written extensively on all major religions. Her books include “A History of God”; “The Battle for God: A History of Fundamentalism”; and “The Spiral Staircase: A Memoir”. Chiefly known for her work on Islam, she has three times addressed members of the US Congress; is an ambassador for the Alliance of Civilizations at the United Nations; and a member of the World Economic Forum discussions on Islam and the West. DAVID BRYANT LOUISA BUCK MA Cambridge, MA Courtauld Institute, Journalist, broadcaster and art critic, reviewer for Radio 4’s “Front Row”. Author of “Moving Targets : A Users’ Guide to British Art Now” - published by Tate Gallery Publications and “Owning Art: the Contemporary Art Collectors Handbook” Turner Prize Judge 2005. Contemporary Art Correspondent for The Art Newspaper and a regular contributor to Artforum, Vogue and The Guardian. BRUNA CARUSO Graduated in History of Art and Venice, works for the Superintendency of Art, teaches for the Hofstra University and Smithsonian Study Tours. She has written for various publications on Venetian Art and Architecture. CHLOE CHARD is a writer who lives and works in London. She is the author of “Pleasure and Guilt on the Grand Tour” (Manchester University Press 1999). Her book “Tristes Plaisirs: A Critical Reader of the Romantic Grand Tour” (Manchester University Press 2010) will appear in the spring, 2010. JANE DA MOSTO MA Oxon., MSc Imperial College London. Co-author of ‘The Science of Saving Venice’. GREGORY DOWLING MA (Oxon.), is Associate Professor of American Literature at the University of Venice, has written thrillers set in Italy and England, translator. JILL DUNKERTON MA, Restorer in the Conservation Dept., National Gallery, London. Author of numerous publications on restoration and the history of painting techniques. BASTIAN GIEGERICH Research Fellow at the International Institute of Strategic Studies in London RYAN GILBEY is film critic of the New Statesman, and was named Reviewer of the Year in the 2007 Press Gazette magazine awards. He contributes to the Sunday Times and the Guardian, and is the author of several film books, including It Don't Worry Me. JANE GLOVER CBE, MA, DPhil (Oxon.), Conductor. Author of "Mozart's Women" (Macmillan 2005) CHARLES HOPE MA, D.Phil., Director of the Warburg Institute, London University. Formerly Slade Professor of Fine Art, Oxford University. An Organiser of the Genius of Venice exhibition at the Royal Academy, author of “Titian”, and other publications. DEBORAH HOWARD MA Cambridge, MA & Ph.D, Courtauld Institute, FSA, FSA Scot., Hon. FRIAS and FRSE. Professor of Architectural History, Fellow of St John’s College and Head of the Department of History of Art, University of Cambridge. Author of “Jacopo Sansovino: Architecture and Patronage in Renaissance Venice”, “The Architectural History of Venice”, “Venice and the East.” GEOFFREY HUMPHRIES Portrait-figure artist, has lived in Venice for 40 years and exhibited throughout Europe. TONY JUNIPER campaigner, writer, adviser and commentator, “one of the top ten environmentalists of the last 30 years”, until recently Director of Friends of the Earth. Adviser to the Prince of Wales Rainforest Project, Senior Associate, Cambridge University Program for Industry. FREDERICK LAURITZEN MA (Oxon), Phd Columbia, Post Doctoral Fellow at the Fondazione per le Scienze Religiose in Bologna. His field of research is Byzantine literature and culture. PETER LAURITZEN MA, Resident in Venice since 1967, author of “Palaces of Venice”, “Venice - a thousand years of Culture and Civilisation”, “The Islands and Lagoons of Venice”, ‘The UNESCO report; Venice Restored’, editor at large of Architectural Digest. VIVIEN LOVELL BA, FRSA, Hon FRIBA, is a contemporary art curator specialising in the field of permanent and temporary public commissions. Director of Modus Operandi Art Consultants, formerly Founder Director of Public Art Commissions Agency She was co-publisher of “Public: Art: Space” (Merrell Holberton 1998). RICHARD MACKENNEY MA, Ph.D, F.R.Hist.S., Professor of History, the State University of New York, Binghamton. Author of “Tradesmen and Traders: the World of the Guilds in Venice and Europe, c.1250-c.1650” (1987); “Sixteenth-Century Europe” (1993), “Renaissances: the Cultures of Italy, c.1300-c.1600, (2005). DAVID NEWBOLD MA (Oxon.), MA (Reading) Linguistics, teaches English at University of Verona, author of English language teaching materials, education broadcaster, journalist, correspondent in Italy for The Times Educational Supplement. DR.BENNY PEISER Director of The Global Warming Policy Foundation in London and is the founder and editor (since 1997) of CCNet, the world’s leading climate policy network. Benny is Senior Lecturer at Liverpool John Moores University and a Visiting Fellow at the University of Buckingham. DR NICHOLAS PENNY Director of the National Gallery, London PETER PHILLIPS MA, Chevalier de l'Ordre des Arts et des Lettres 2005. Well-known broadcaster and conductor, founder Director of the Tallis Scholars (Gramophone Record of the Year Award 1987), Music critic The Spectator. Publisher of The Musical Times. Director of Music, Merton College, Oxford from autumn 2008. ENRICA ROCCA runs a cookery school with a difference. Born in Venice, Enrica is an Italian cook of note, a flamboyant and passionate chef and restaurateur. JEREMY SAMS BA, Director and translator. Opera translations include Wagner's Ring, Mozart's Figaro, Magic Flute and Cosi fan Tutte (ENO), Lehar's MerryWidow (Covent Garden). Frequent broadcaster on opera and other music including his series, "Sams at the Opera" for Radio 3. Recent work as director includes Little Britain Live and The Sound Of Music at the London Palladium and currently compiling a new Baroque opera from Venetian archives for the Metropolitan Opera House, New York. JASPER SHARP MA, University of Edinburgh. Former Exhibitions Organizer at the Peggy Guggenheim Collection, Venice. Now an independent curator & writer based in Vienna, Austria. MARK SMITH photographer, based in Venice, publications include “The Nude: a Visual Reference for the Artist” and “Palaces in Venice”. SUSAN STEER MA, Ph.D. Visiting lecturer in History of Art for the University of Warwick's "Venice term" BA and MA programmes. Susan has also lectured in the History of Art for the University of Bristol and has worked as both researcher and editor of the UK's national inventory of European paintings on behalf of the University of Glasgow and the National Gallery. JOACHIM STRUPP Ph.D (St. Andrews), has been Lecturer in History of Art at the Universities of St Andrews and Buckingham for ten years and his special field is Italian Renaissance Sculpture on which he has published several studies. Now Fellow at the University of Buckingham and co-founder of Art Pursuits which specialises in adult education and the organisation of cultural events. NICHOLAS TRUE CBE, MA, Former Whitgift Research Student at Peterhouse, Cambridge, in the field of Byzantine Studies. Publications on Byzantium. ANDREW TYLEY BSc, B Arch, M Arch (Yale), ARB, RIBA, Associate Director at Richard Rogers Partnership. Architects responsible for Centre Pompidou, the Lloyds Building, London and the Millennium Project, London. LOUISA WARMAN BA Courtauld Institute, MA University of Warwick, is an Art Historian resident in Venice since 2000. She works as a translator for art history publications and leads Renaissance and Medieval art history tours in the city. PAUL WILLIAMS Research Fellow in the Department of meteorology, Reading University. A leading environmental specialist, he was recently the lead author on climate change commissioned by the European parliament. ROSELLA ZORZI Professor in American Literature, University of Venice. Director Società Dante Alighieri, Venice. VENICE Classes in Venice: FLORENCE Introduction to Florence and on-site visits – Florentine Painting, Architecture and Sculpture The Medici Chapel, Museo dell’ Opera del Duomo, S. Croce, Pazzi Chapel, Santa Maria Novella, the Duomo, Piazza della Signoria, the Bargello, San. Lorenzo, The Laurentian Library, Sta Trinita, Rucellai chapel, Orsanmichele, Ospedale degli Innocenti San Marco, Galleria Palatina, Santa Felicità, Brancacci Chapel. Visit to Gardens of Villa Gamberaia at Settignano. Classes: Life Drawing at Charles Cecil Studio Lectures: Matteo Sansone Ph.D. (Edin.) is an expert on operatic literature and his special field is late nineteenth-century Italian opera on which he has published several studies. He runs the opera courses at the British Institute of Florence ROME On first evening, a walk around the historic centre of Rome introducing its main landmarks and monuments to include Campo de Fiori area - Palazzo della Cancelleria, Palazzo Farnese and Palazzo Spada: the Ghetto area, the Capitol Hill and Michelangelo's Square, the Trevi Fountain; the Hadrianeum; and past the Pantheon to Piazza Navona Visit to Borromini's Church of Sant' Ivo alla Sapienza followed by an Introduction to Rome by coach to include the Tiber and the Iola Iberian, Castle Spangle, St.Peter's, the Janiculum Hill, the 'Fontanone', Bramante's Tempietto, S. Pietro in Montorio, the Pyramid of Cestius & the Protestant Cemetery, the Baths of Caracalla, the Circus Maximus; the Via Appia Antica and the tomb of Cecilia Metella, and S. Giovanni in Porta Latina, S. Maria degli Angeli, Santa Constanza, S. Agnese fuori le Mura Following days – visits to include: The Heart of Rome: The Pantheon; Borromini's Church of Sant' Ivo alla Sapienza, The Caravaggio chapels in S. Luigi de' Francesi and Sant' Agostino, The Ara Pacis, and the Piazza di Spagna area. Private visits to the Borghese Collection (The Bernini sculptures and the paintings collection at the Villa Borghese) and to the Keats and Shelley Memorial House Independent visit to the interior of St Peter's Basilica, Private visit to The Vatican Collections, including Cortile Ottagonale, Antiquities Collections, the Chapel of Nicholas V, the Raphael Rooms and Sistine Chapel Visit to Villa d’Este and Temple of Sibilla at Tivoli and lunch at the Ristorante Sibilla. |
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